Jean Muir

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

After discovering that his late father has gone through most of the family fortune, Tod Stiles hits the title trans-America highway in his Corvette in search of adventure with friend Buz Murdock, a survivor of New York's mean streets. The two work odd jobs as they meet and interact with colorful characters and find themselves plunged into one situation after another, some of them romantic, some of them very dangerous. Later, Linc Case, a Vietnam war hero trying to find himself, takes over as Tod's travel companion.

Actors Studio is an American TV show which aired for 65 episodes, from September 26, 1948 to October 26 on the fledgling ABC Television Network; then from November 1, 1949 to June 23, 1950 on CBS Television. It was hosted by Mark Connelly. The series showcased short pieces of adapted, classic and original drama, performed and produced live each week. Among some of the known authors were William Saroyan, James Thurber, Ring Lardner, Edgar Allan Poe, Irwin Shaw and Budd Schulberg. Featured actors included Martin Balsam, Richard Boone, Marlon Brando, Hume Cronyn, Julie Harris, Jean Muir and Jessica Tandy. Recurring performers included Jocelyn Brando, Tom Ewell, Steven Hill, Kim Hunter and Cloris Leachman. In February 1950, the series moved to Friday nights and was expanded to one hour, alternating every other week with broadcasts of Ford Theatre. In March, the name of the show was changed to The Play's the Thing. The series received a Peabody Award in 1948 for pioneering in the field of televised drama.

Mistaken identity, unrequited love, and the supernatural are combined in Shakespeare's classic set in the woods of Greece on a moonlit night.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

After discovering that his late father has gone through most of the family fortune, Tod Stiles hits the title trans-America highway in his Corvette in search of adventure with friend Buz Murdock, a survivor of New York's mean streets. The two work odd jobs as they meet and interact with colorful characters and find themselves plunged into one situation after another, some of them romantic, some of them very dangerous. Later, Linc Case, a Vietnam war hero trying to find himself, takes over as Tod's travel companion.

Actors Studio is an American TV show which aired for 65 episodes, from September 26, 1948 to October 26 on the fledgling ABC Television Network; then from November 1, 1949 to June 23, 1950 on CBS Television. It was hosted by Mark Connelly. The series showcased short pieces of adapted, classic and original drama, performed and produced live each week. Among some of the known authors were William Saroyan, James Thurber, Ring Lardner, Edgar Allan Poe, Irwin Shaw and Budd Schulberg. Featured actors included Martin Balsam, Richard Boone, Marlon Brando, Hume Cronyn, Julie Harris, Jean Muir and Jessica Tandy. Recurring performers included Jocelyn Brando, Tom Ewell, Steven Hill, Kim Hunter and Cloris Leachman. In February 1950, the series moved to Friday nights and was expanded to one hour, alternating every other week with broadcasts of Ford Theatre. In March, the name of the show was changed to The Play's the Thing. The series received a Peabody Award in 1948 for pioneering in the field of televised drama.

In this romantic western, the real stars are a mustang and a police dog. The human aspect of the story centers on a rodeo rider whose late father bequeathed him a ranch in Calgary, Canada. The rider really tries to settle down to ranching, but finds himself pining for the rodeo. His forewoman, also a former rodeo performer, thinks her employer is shirking his duties and needs to forget about broncos, and bull-riding and settle down. Meanwhile, the fellow also longs to catch the white stallion running wild. The dog helps out.