Gilberto Gazcón

Directing

Gilberto Gazcón

Born 1929-05-19 · Mexico City, Mexico

Gilberto Gazcón de Anda (May 19, 1929 – May 11, 2013) was a Mexican film director , screenwriter and producer. He wrote more than fifty screenplays , directed more than thirty films, won numerous awards, and was a promoter of Mexican cinema. He is best known in English-speaking countries for the neo noir thriller film Rage (1966), starring Glenn Ford and Stella Stevens . Gilberto Gazcón was born in Mexico City on 19 May 1929. He was the son of film producer and screenwriter Valentín Gazcón, and the nephew of Raúl de Anda , pioneers of Mexican sound cinema. His brother Edgardo Gazcón also became a filmmaker. He showed an aptitude for art from an early age, and was drawn to cinema, where he began as a child actor and later worked as an assistant set designer. He began writing his own screenplays, and decided to abandon his medical career and enrolled in film adaptation courses and studied acting at the Cinematographic Academy, directed by Celestino Gorostiza . The first film to be released with a plot written by him was Fierecilla (1950), directed by Fernando Méndez [ es ] , which received favorable reviews for its plot and the psychology of its characters. In 1958 he directed his first film, The Boxer. In 1966 he directed a Mexican-American co-production Rage ( El mal ), starring Glenn Ford and Stella Stevens. In 1960 he directed Lacarcel de Cananea , which was shown at the San Sebastián International Film Festival. He directed more than 30 films, including The Uprooted (1959), The Laughter of the City (1962), Stray Dog (1980), and Stray Dog II (1981). He was a founding member in 1963 of the Mexican Society of Film, Radio and Television Directors and Producers (Sociedad Mexicana de Directores y Realizadores de Cine, Radio y Televisión ), and honorary president since 1982. He died on May 11, 2013 at the age of 83, due to pulmonary complications caused by an embolism. Film director Juan Antonio de la Riva, head of the Mexican Academy of Cinematographic Arts and Sciences, described him as "a great man, who in his career as a writer and director always strove to be ambitious, always pursued quality cinema, which was demonstrated in most of his films".

Acting credits

Behind the camera

No artwork available
5.6

Four young women facing "crises," mostly centered around the crucially-important issue of preserving their virginity in a variety of purity-oath threatening situations.

Señoritas

1959

Atrás de las nubes poster
5.7

All it says in my notes is "Like 'Juan Sin Miedo', only with soldiers." So... Army officer seeks revenge for... something...

Atrás de las nubes

1962

Los aventureros poster
6.3

Two brothers and their pops end up helping out an orphaned young woman who wants revenge against her father's murderer.

Los aventureros

1954

El Cínico poster
5.4

Traveling salesman's amoral/sometimes criminal behavior catches up with him after he settles in at his brother's vinyard.

El Cínico

1970

No artwork available
6.3

Three men receive a newborn child, along with a message that leaves the mother for dead and one of them for the father.

Tres bribones

1955

Perro callejero poster
8.0

An abandoned child steals to survive and has problems when he decides to steal from the priest who helps him.

Perro callejero

1980

Perro callejero poster
8.0

An abandoned child steals to survive and has problems when he decides to steal from the priest who helps him.

Perro callejero

1980

No artwork available
6.2

Troubled young man meets his father for the first time.

Cielo Rojo

1962

Perro callejero 2 poster
7.3

After serving his three-year sentence, Perro, who was only visited by Father Maromas, returns to his old environment. There, Chava recruits him back into drug trafficking.

Perro callejero 2

1981

Perro callejero 2 poster
7.3

After serving his three-year sentence, Perro, who was only visited by Father Maromas, returns to his old environment. There, Chava recruits him back into drug trafficking.

Perro callejero 2

1981

Dos de abajo poster
4.7

Two bozo construction workers discover a cache of 19th century gold coins while demolishing a building.

Dos de abajo

1983

Dos de abajo poster
4.7

Two bozo construction workers discover a cache of 19th century gold coins while demolishing a building.

Dos de abajo

1983

Rage poster
5.6

Small-town doctor bitten by rabid dog, races the clock to get to the city and receive treatment.

Rage

1966

Rage poster
5.6

Small-town doctor bitten by rabid dog, races the clock to get to the city and receive treatment.

Rage

1966

Rage poster
5.6

Small-town doctor bitten by rabid dog, races the clock to get to the city and receive treatment.

Rage

1966

Fugitivos: Pueblo de proscritos poster
5.3

After breaking out of jail, a group of convicts finds a ghost town they can take possession of. They send word out along the grapevine that criminals and marginal people can make a home there... and as the population grows, their self-policing efforts turn the whole town into a model community.

Fugitivos: Pueblo de proscritos

1955

El cafre poster
6.9

Trucker accepts an assignment to haul an extremely dangerous load of explosives from Tijuana to Mexico City.

El cafre

1986

El cafre poster
6.9

Trucker accepts an assignment to haul an extremely dangerous load of explosives from Tijuana to Mexico City.

El cafre

1986

El cafre poster
6.9

Trucker accepts an assignment to haul an extremely dangerous load of explosives from Tijuana to Mexico City.

El cafre

1986

Suerte Te De Dios poster
5.8

Two construction workers discover a stash of gold coins hidden in the walls of a building they're demolishing.

Suerte Te De Dios

1961

El Desconocido poster
6.3

Disenfranchised drifter finds a home, working on a young orphan woman's ranch.

El Desconocido

1974

Al rojo vivo poster
4.0

Three parallel romances among young people working in a steel mill.

Al rojo vivo

1969

Relaciones violentas poster
5.7

The misunderstanding between two people; lack of consideration in marriage; the false image that the children of the parents have; the easy door; the quick fix. It does not matter to debase, it does not matter to stain. A family watching at the apex of violence.

Relaciones violentas

1992

Juan sin miedo poster
6.0

One-armed man tracks the people who killed his father.

Juan sin miedo

1961