
Directing
Jacqueline Veuve
Born 1930-01-29 · Payerne, Vaud, Switzerland
Jacqueline Veuve (29 January 1930 – 18 April 2013) was a Swiss filmmaker known for "ethnographical cinema". She has been referred to as the "great lady of the Swiss documentary film." She received a Lifetime Achievement Award from the 2013 Swiss Film Prize. Jacqueline Reber was born in Payerne, Switzerland, in 1930 to Maurice Reber and Yvonne Reymond. After studying in Lausanne, she attended the School of Library and Information Science in Geneva (1952–1953) Veuve then went to Paris to work on her diploma thesis and she met the French filmmaker and ethnologist Jean Rouch in 1955 at the Museum of Man. She made her first short film Le Panier à viande in 1966 with Swiss director Yves Yersin. In the early 1970s she spent time at the Massachusetts Institute of Technology to work with British documentary filmmaker Richard Leacock and during her time there, she made two short films about the women's movement in the United States. According to Maire, her interest in ethnology was revealed through film. Jacqueline Veuve had a strong sense of attitude, of everything that has to be shown or left out so that the audience can understand. Examples of this are the film series on the “wood professions”, the “Métiers du bois” such as the films “Claude Lebet, luthier” (“Claude Lebet, violin maker”, 1988), “Armand Rouiller, fabricant de luges” (“Armand Rouiller, Schlittenmacher ”, 1987) or “Marcellin Babey, tourneur sur bois” (“Marcellin Babey, Drechsler”, 1989) or the “Chronique vigneronne”(1999) on viticulture and the “Chronique paysanne en Gruyère” (1990), the farmer's chronicle. At Jacqueline Veuve, complex alpine cheese becomes a completely transparent matter. And better still: a compelling story. Her masterful gift of description allows her to go on: She stages reality so much that tension arises while making the cheese. Or when cutting shingles in Valais. In 1974, Veuve founded her own film production company in Lausanne, Aquarius Films. Some of her films were commissioned and others were done on a freelance basis. Her first full-length documentary La Mort du grand-père ou Le Sommeil du juste (The death of the grandfather or: The sleep of the just) was shown at the Locarno Film Festival in 1978. Her last documentary premiered in 2012. Titled Vibrato, it was about the Friborg choir of the Collège St-Michel. Jacqueline Veuve made a total of 14 full-length films, including some feature films (Parti sans laisser d'address 1982; L'Évanouie 1992). Throughout her lifetime, she "shot more than 60 short and feature documentaries presented in festivals around the world and crowned with international awards." Jacqueline Veuve married Léopold Veuve in 1956 and had two children. Source: Article "Jacqueline Veuve" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Acting credits
No synopsis available yet.
Chère Jacqueline
2005
4.3Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.
A Strange Love Affair
1985
Behind the camera
NRNo synopsis available yet.
La nébuleuse du cœur
2005
NRNo synopsis available yet.
La nébuleuse du cœur
2005
NRNo synopsis available yet.
Vibrato
2012
NRNo synopsis available yet.
Vibrato
2012
8.0A young Swiss drug addict has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story.
Parti sans laisser d'adresse
1982
8.0A young Swiss drug addict has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story.
Parti sans laisser d'adresse
1982
NRNo synopsis available yet.
Le salaire de l'artiste
2000
NRNo synopsis available yet.
Le salaire de l'artiste
2000
8.0This documentary show the work, the worries and the joys of a family dedicated to viticulture, the Potterat, living in Lavaux. Three generations live together, keeping the old traditions
Chronique vigneronne
1999
8.0This documentary show the work, the worries and the joys of a family dedicated to viticulture, the Potterat, living in Lavaux. Three generations live together, keeping the old traditions
Chronique vigneronne
1999
8.0From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.
Journal de Rivesaltes 1941-42
1997
8.0From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.
Journal de Rivesaltes 1941-42
1997
The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.
The Bapst Brothers, Carriers
1988
Thirteen Swiss filmmakers, each from their own point of view, chronicle and reconstruct the narrative of Swiss cinema, from its beginning to the present day, and in doing so, retrace the history of the country.
Le film du cinéma suisse
1991
Like his grandfather and his father before him, François Pernet is a mountain peasant and works with wood. He trained as a carpenter and cabinet maker and owns the last water-powered sawmill still operating in French-speaking Switzerland. He and his wife have five children, two of their own, and three nephews adopted after the death of their parents in a car accident. So, to earn a living, he makes and carves cupboards and turns bannisters. In addition to his work, Pernet has become a sculptor as well. His bas-relief carvings, which have decorated local cafés, show various aspects of mountain life, including hunters, poachers, chamois and other animals.
François Pernet, Carpenter and Sculptor
1988
7.5Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.
Delphine Seyrig, portrait d'une comète
2000
7.5Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.
Delphine Seyrig, portrait d'une comète
2000
Armand Rouiller, 80, is a mountain peasant, woodcutter, and craftsman. He handcrafts large sledges, rakes and handles for scythes, a craft he learned from his father, who learned it from his own father, and so on. Rouiller gathers timber for his sledges and rakes from the ash, maple, and linden trees in a forest he inherited from his father. He is the last craftsman in French-speaking Switzerland to build sledges and rakes in the old-time way.
Armand Rouiller, Sledge-maker
1987
This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.
L'homme des casernes
1994
This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.
L'homme des casernes
1994
NRArnold Golay, 91, a former watchmaker who once had learned to make a timepiece entirely by hand. This know-how has always stood him in good stead. Upon retirement, Golay became a full-time toy maker. Even as a watchmaker, he used to make toys for his own children. The film follows his steps as he builds a toy hand-cart, from raw wood to finished product. We also see his collection of toys, which are reduced-scale models of all the carts, wheel barrows and other implements used on the farm before the invention of the tractor.
Arnold Golay, Toy-maker
1992
An animated cartoon about the Creation myth reviewed and corrected by two women. God the magician has decided to create a paradise: Switzerland. He covers it with trees and cows, until Adam is born. After exploring his paradise, Adam creates Eve from one of his ribs. Man is shown as an erect penis, woman by a limbless trunk.
Swiss Graffiti
1975
An animated cartoon about the Creation myth reviewed and corrected by two women. God the magician has decided to create a paradise: Switzerland. He covers it with trees and cows, until Adam is born. After exploring his paradise, Adam creates Eve from one of his ribs. Man is shown as an erect penis, woman by a limbless trunk.
Swiss Graffiti
1975
Claude Lebet, luthier, had originally wanted to be a parson, like his father before him. However, after one year in theological school, he left to study violin making in Cremona, Italy. Later, he returned to Switzerland, where he founded his workshop at La Chaux-de-Fonds in the Jura mountains. The "Musici di Roma" launched his career by buying the first violin he made, then helping him acquire his house. For Lebet, a violin takes a month and a half to make, and requires the smoothest maple and spruce, which he selects himself, along with the finest shellacs. In the film, we watch as he makes a violin for a musician who comes to try it out and to choose from various woods. It takes but six weeks for Lebet to fashion the violin, but the relationship of musician and luthier lasts a lifetime.
Claude Lebet, Luthier
1988