Baron Geisler

Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

A family movie that revolves around unlikely "parents" Arci and Paco. Arci gains custody of his best friend's children Megan and Ernie just before she dies. The children's uncle, Paco, has no choice but to join this newfound family. Arci and Paco will now embark on the craziest and greatest adventure of their lives as they play the roles of Momshie and Popshie to both Megan and Ernie.

An author, whose marriage is on the rocks, meets his literary idol, his neighbor. He soon begins to have an affair with his idol's daughter. But when their secret is discovered, more revelations are yet to explode.

A woman returns to the Philippines after working abroad to find that her family has fallen apart in her absence.

A dozen foreigners are kidnapped by a terrorist group in the Philippines.

A popular urban legend about a woman "aswang" who cooked and ate her two children. The legend is popular in the Visayas and in Mindanao

A troubled lead singer of a rock band sets out to rekindle the relationship he never had with his long-lost daughter.

When a mysterious TV transports her to a school for on-screen villains, a restaurant worker finds new purpose — and a way to get back at her enemies.

Running low on cash and eager for a quick fix, JunJun scores homemade drugs from his dealer, the effects of which are alien to him. When the new maid Alva arrives to work for the family, JunJun finds himself drawn to the mysterious woman. As the days unfold, Alva reveals to him a dark secret and he realizes too late the potent and dangerous power of the drug.

In order to win the love of his life, Adonis has to win over her only son. The son has decided that the only kind of man good enough for his mother is a man with a big family. Adonis, with the help of some friends who work in special effects, must now pretend to be a whole cast of characters of Adonis’ imaginary family, and convince the son that Adonis is good enough.

Mourning the death of his beloved lola, an aspiring pro-gamer is forced to live with his estranged mother and lead his underdog esports team in secret.

Peping works as a bodyguard to gambling boss Rodolfo, but when he falls in love with Mika, Rodolfo's mistress, he is convinced to rob the business he has sworn to protect.

A delivery driver accidentally witnesses a crime on the job with his eight-year-old surrogate son. Now, he must protect the child from violent forces.

The film follows two competing television news teams as they chase a variety of leads, gradually zeroing in on an impending and possibly apocalyptic storm, and a middle-aged teacher who may or may not be possessed by a demon. Writer and actress Raquel Villavicencio plays the ruthless head of the top-rated network, coming off as a Tagalog variation on Faye Dunaway's fabled character in Network. Her team has eschewed covering politics in favour of triedand- true tabloid fodder: demonic possession.

Domeng and Mokong, two unemployed men, take up jobs as nannies for 7 children.

Waves is a romantic drama about the intimate relationship between Ross & Sofia - two old friends passionately in love yet life's cultural, geographical, and emotional obstacles get in the way.

Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.

A Filipino coming-of-age film directed by Johnny Manahan.

Ian Montes is a picture of success. Despite being a son of a shipping tycoon, Ian refused to just ride in his father's empire. He built his own real estate company and earned his first million at a very young age. He never looked back since then. Driven by his ambition to become better, if not as good as his father, Ian managed to make it on his own. But behind all the glory is a man yearning for love and recognition.

Desperate for money, Lizette pursues the dark and thankless world of organ donation, hoping for a better life.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

Jologs portrays the intersecting stories of various working-class people who are all tied to one coffee shop and are struggling to make ends meet in the Philippines.

The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.

Beastmode interweaves what at first sight seem to be two unconnected storylines: the first two years of rule by President Rodrigo Duterte of the Philippines, notorious for his war against drugs, and the reconstruction of a social and artistic experiment about violence and performance—a sort of Fight Club 2.0.