Jeremy Alter

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

A parasitic outbreak hits a Long Island high school in the 1980s, leading to military quarantine. Students infected with an unbearable itch fight each other for survival.

Follow up of the Lynch documentary on the making of INLAND EMPIRE. Released as an extra on the INLAND EMPIRE DVD.

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

In a timeless city, a man with no name returns to the violent, brutal domain of assassins he left ten years before – back when they dubbed him The Mad Monk for his disregard for his own life and his intense devotion to one woman, Porphyria; a beautiful, luminescent woman; the girl he grew up with; the love of his life; the one thing he has ever wanted; the one thing he can never have.

Two young poets with bipolar disorder begin a highly passionate, volatile relationship that threatens both their futures.

A parasitic outbreak hits a Long Island high school in the 1980s, leading to military quarantine. Students infected with an unbearable itch fight each other for survival.

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

In a timeless city, a man with no name returns to the violent, brutal domain of assassins he left ten years before – back when they dubbed him The Mad Monk for his disregard for his own life and his intense devotion to one woman, Porphyria; a beautiful, luminescent woman; the girl he grew up with; the love of his life; the one thing he has ever wanted; the one thing he can never have.

In a timeless city, a man with no name returns to the violent, brutal domain of assassins he left ten years before – back when they dubbed him The Mad Monk for his disregard for his own life and his intense devotion to one woman, Porphyria; a beautiful, luminescent woman; the girl he grew up with; the love of his life; the one thing he has ever wanted; the one thing he can never have.

Two young poets with bipolar disorder begin a highly passionate, volatile relationship that threatens both their futures.

Philip Randall is a brilliant attorney poised to become the youngest partner at his prestigious firm. Philip’s idyllic world begins to unravel when a former prep-school classmate threatens to reveal a devastating secret involving another woman. Suddenly caught in a high stakes game of blackmail, murder and revenge, he’s forced to risk everything, only to face the greatest danger of all — winning.

A silent fisherman in Texas, a blazing oil field in North Dakota, a mysterious community in Virginia, a women’s prison in Oregon, and a modernist home in California are the ostensible subjects of Austin Lynch and Matthew Booth’s new feature, GRAY HOUSE. But as meditations upon nature, isolation, decadence, and destitution, they are flawless conduits for seamless blends of documentary and narrative form, and stunning explorations of sound, image, and cinematic time. Mysterious and elusive, yet possessing an aesthetic and sensory unity (appearances by Denis Lavant, Aurore Clément, and Dianna Molzan mix with direct addresses from real-life laborers and inmates), GRAY HOUSE quietly recalibrates one’s sense of the world and our place within it.