
Directing
Evelyn Lambart
Born 1914-07-23 · Ottowa, Ontario, Canada
Evelyn Lambart (23 July 1914 – 3 April 1999) was a Canadian animator and technical director with the National Film Board of Canada, known for her early collaborations with Norman McLaren as well as her later films, as sole director.
Acting credits
The fifth thematic mini documentary about revolutionary filmmaker Norman McLaren; this time with a focus on his collaborator Evelyn Lambart.
Evelyn Lambart
2006
6.2Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.
Pinscreen
1973
This 1967 footage shows McLaren at a computer with Evelyn Lambart, Rene Pardo and two other technicians, followed by the animation test some call Birdlings. McLaren found computers still too primitive for his needs and continued to explored the optical printer in Pas De Deux, Synchromy and Narcissus. Silent film.
Birdlings
2006
NRAnimation pioneer Evelyn Lambart recalls arriving at the NFB in the 1940s, her celebrated collaborations with Norman McLaren and her approach to her solo work.
Making Movie History: Evelyn Lambart
2014
Behind the camera
5.5A man sets a ping-pong ball into motion and it becomes fruitful and multiplies.
Mosaic
1965
7.0In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
Begone Dull Care
1949
7.5The story of the settlement of Canada, illustrated with cheerful animated cartoons. The arrival of Jacques Cartier, the fishing and fur trades which followed, and the rival colonization by the French and British, climaxed by the battle of the Plains of Abraham, are depicted. The coming of the United Empire Loyalists is seen; then the west-coast gold rush and the completion of the transcontinental railway. New branches were added to the family tree when many European settlers came to fill the great spaces of the Prairies. Finally, we see the whole country matured into a nation, its traditions enriched by those of many peoples.
Family Tree
1950
6.9Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.
Fine Feathers
1968
7.5This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.
Paradise Lost
1970
7.5This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.
Paradise Lost
1970
7.0This short animation tells the familiar story of Christmas in an innovative and colourful way. Filmmaker Evelyn Lambart uses glowing zinc cut-outs to give this traditional tale a contemporary twist. Akin to a joyful medieval manuscript, the film is embellished by the artist's own whimsy—heraldic trumpet sounds, luminescent light, and wildflowers in every scene tell the message of rebirth. A film without dialogue.
The Story of Christmas
1973
6.8A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.
The Hoarder
1969
In this short film by animator Evelyn Lambart, a handsome frog courts and wins a mouse for his bride. The colourful animation does full justice to the events that take place during and after the wedding breakfast. Sung by Derek Lamb to lute accompaniment.
Mr. Frog Went A-Courting
1974
Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.
The Impossible Map
1947
5.8In this animated short, Evelyn Lambart uses her well-known style of animation – paper figures and brightly colored backgrounds – to revisit Aesop’s tale of 2 mice with vastly different lifestyles. Ultimately, the film suggests it is far better to live simply and in peace than to live in luxury amidst danger.
The Town Mouse and the Country Mouse
1980
6.0Early abstract 3D film by animation master Norman McLaren.
Now Is the Time
1951
6.4An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Lines: Horizontal
1962
6.5Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.
Around Is Around
1951
6.0This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
The Lion and the Mouse
1976
6.0This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
The Lion and the Mouse
1976
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Lines: Vertical
1960
On a blue background, a series of numbers (1 to 5) begin to appear, forming simple arithmetic equations that create a pattern. Numbers and symbols move as the pattern grows, to a soundtrack of simple beats.
Rythmetic
1956
10.0This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.
O Canada
1952
6.2A color cocktail by Norman McLaren and Evelyn Lambart, translating into moving patterns of color and light the moods of music written for a jazz ensemble by Eldon Rathburn. Inscribed and colored directly on film.
Short and Suite
1959
