Han Jie

Teased by hallucinations, Shu, a slacker living in a rural village, struggles with an ever-loosening grip on reality. Yet when one of his visions manifests as real, his fellow villagers come to regard him as a clairvoyant. Can Shu genuinely see into the future? Is he actually just a basket case? Or is he perhaps more lucid than he seems, and pulling a fast one on everyone?

Xiao Bo, is one of three orphans on the run who take refuge in a derelict corner store. Once there, they find a mysterious letter seeking advice, ending up in adventure in time and finding unexpected connections with their own past.

A staff member of a game company came to a historical museum in the border city of China. They are Wu Mi, a second-generation rich man, Mei Feng, a graduating internationaire, and Andrew, a Russian drunkard. The three inadvertently crossed...

On August of 2015, three men from Manzhouli, located on the borders of China, Russia, and Mongol, suddenly travel back in time to 1945, and experience the horror and tragedy of war between local guerilla unit and the Japanese stragglers.

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.

Teased by hallucinations, Shu, a slacker living in a rural village, struggles with an ever-loosening grip on reality. Yet when one of his visions manifests as real, his fellow villagers come to regard him as a clairvoyant. Can Shu genuinely see into the future? Is he actually just a basket case? Or is he perhaps more lucid than he seems, and pulling a fast one on everyone?

Teased by hallucinations, Shu, a slacker living in a rural village, struggles with an ever-loosening grip on reality. Yet when one of his visions manifests as real, his fellow villagers come to regard him as a clairvoyant. Can Shu genuinely see into the future? Is he actually just a basket case? Or is he perhaps more lucid than he seems, and pulling a fast one on everyone?

Xiao Bo, is one of three orphans on the run who take refuge in a derelict corner store. Once there, they find a mysterious letter seeking advice, ending up in adventure in time and finding unexpected connections with their own past.

A staff member of a game company came to a historical museum in the border city of China. They are Wu Mi, a second-generation rich man, Mei Feng, a graduating internationaire, and Andrew, a Russian drunkard. The three inadvertently crossed...

On August of 2015, three men from Manzhouli, located on the borders of China, Russia, and Mongol, suddenly travel back in time to 1945, and experience the horror and tragedy of war between local guerilla unit and the Japanese stragglers.

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.