Feđa Štukan

Barents Sea, August 12th, 2000. During a Russian naval exercise, and after suffering a serious accident, the K-141 Kursk submarine sinks with 118 crew members on board. While the few sailors who are still alive barely manage to survive, their families push for accurate information and a British officer struggles to obtain from the Russian government a permit to attempt a rescue before it is late. But general incompetence are against all their efforts.

Somewhere in the Balkans, 1995. A team of aid workers must solve an apparently simple problem in an almost completely pacified territory that has been devastated by a cruel war, but some of the local inhabitants, the retreating combatants, the UN forces, many cows and an absurd bureaucracy will not cease to put obstacles in their way.

During the Bosnian War, Danijel, a soldier fighting for the Serbs, re-encounters Ajla, a Bosnian who's now a captive in his camp he oversees. Their once promising connection has become ambiguous as their motives have changed.

A dramatization of several episodes in the life of Christ.

Years after the end of the Bosnian war, a woman finds evidence that her young daughter, who disappeared during the war, might have survived and been adopted by a German family.

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

A harsh dose of cinematic realism about a harsh time – the Bosnian War of the 1990s – Juanita Wilson's drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable.

A war correspondent ventures into a territory being fought over by various warring factions. To enhance his reputation as a journalist, he fabricates news stories, and these manipulations of truth will be his undoing.

The story opens as a seemingly naïve call girl escapes the clutches of a notorious gangster with a cell phone containing all his secrets. A 'tough-rough' female cop, who may or may-not be crooked, is given the job to "get the 'witness' to Detroit, on time and in one piece" to testify.

Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

Alena is preparing for an important journey. Her family and co-workers do not want her to leave.

Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.

The film follows the story of Hadzi Trifun, a prominent Serbian merchant, who tries to keep the peace with the Turkish authorities, but also maintains his reputation and influence in Vranje, an important Turkish town near the border with liberated Serbia. While Trifun is preparing his two sons to succeed him as the leaders of the Serbian people, he is suffering not only from powerful Turkish beys, but also from his family. Trifun makes difficult decisions that will later affect his descendants, the heroes of the novel Impure Blood by Serbian writer Bora Stankovic.

A man comes home to discover that someone else is living there.

Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

Honest and revealing story about a musician Adnan Saran and his indie rock band Skroz (eng. - Totally). The film talks about their beginnings, war experiences, after-war tours, PTSD, addiction, poetry, brotherhood and friendship.