Valérie Massadian

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.

Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.

In a remote village, young Luka has already seen the worst. His father's disease and a very close relationship with his mother have made him the man of the house. During the male nurse's daily visit, an unexpected invitation to have lunch awakens his jealousy. He decides, then, to bring his own guest. Freely inspired by Georges Bataille’s childhood.

Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the darkness of her childhood. The world from her height.

The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s hypnotic short was made for Seattle’s Northwest Film Forum.

The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s hypnotic short was made for Seattle’s Northwest Film Forum.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

Ire. Feminine noun: wrath, rage, fury, indignation. Ire is the protest of women against those who oppress, despise and kill. Their eyes, tightly framed, stare at the camera: their stare is compelling. They are the masses and, from the anaphoric statement “I am”, sing out the violence suffered by women. In this film shot in four languages, Valérie Massadian uses the weight of her words and the strength of gate to build a babel call to resistance. Among these striking gazes, are the luminous eyes of a woman carrying in her womb a female child, yet to be born, but already angry. (Louise Martin-Papasian & Claire Lasolle – FID 2021)

An old thunderstorm rumbles in my head. A thunderstorm born 25 years ago. A storm at times distant, almost forgotten. A thunderstorm often deafening. Literature assured me men existed for a long time. Music taught me their melancholy preceded them. Painting whispered to me that screams can be silent. The trade of men, very fast, seemed to me vague and vain.

Filmmakers and artists from around the world have formed Some Strings, a collection of original filmic gestures that originated in Palestine, where poet and professor Refaat Alareer was targeted by Israeli strikes. In his latest poem, “If I Must Die,” he asks those who must live to create a kite, an object of resistance. A selection of short films from this project will introduce the screenings throughout the festival.

Short film commissioned by the Cinemathèque Suisse to celebrate Jean-Marie Straub’s 85th birthday. Directed by Valérie Massadian.

No synopsis available yet.

No synopsis available yet.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.