Diego Rísquez

Reel 21 of Gérard Courant’s on-going Cinematon series.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.

An homage to the painter Armando Reveron, this is the story of a contemporary painter who chooses to live in isolation in a hut alongside the Caribbean Sea. Along with Claudia, his muse, he works using nature as his source of inspiration. Alfredo, a friend and art connoisseur, forces the painter to create a series of paintings for an exhibition in New York that aims at achieving fame and putting him on the contemporary art market. The film presents a tropical perspective of the dilemma between artist and the commercializing of his work.

In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

Film by Julio Neri.

A thesis on the history, the successes and failures of Venezuelan and Latin American cinema as a whole; demonstrating how little interaction there is between Ibero-American cinema

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

An homage to the painter Armando Reveron, this is the story of a contemporary painter who chooses to live in isolation in a hut alongside the Caribbean Sea. Along with Claudia, his muse, he works using nature as his source of inspiration. Alfredo, a friend and art connoisseur, forces the painter to create a series of paintings for an exhibition in New York that aims at achieving fame and putting him on the contemporary art market. The film presents a tropical perspective of the dilemma between artist and the commercializing of his work.

An homage to the painter Armando Reveron, this is the story of a contemporary painter who chooses to live in isolation in a hut alongside the Caribbean Sea. Along with Claudia, his muse, he works using nature as his source of inspiration. Alfredo, a friend and art connoisseur, forces the painter to create a series of paintings for an exhibition in New York that aims at achieving fame and putting him on the contemporary art market. The film presents a tropical perspective of the dilemma between artist and the commercializing of his work.

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

In 1856, a whaler arrives in Paita, Peru; on board is Herman Melville, who is astonished to learn that Manuela Sáenz, for eight years the lover of Simón Bolívar, is still alive. He calls on her, and although she will not talk to him about her life, his visit sends her to her chest of Bolívar's letters. As she reads them, the sepia-toned present gives way to flashbacks in color: she meets 'the Liberator' in 1822, becomes his lover, and also becomes a colonel in his military movement to realize the 'Gran Colombia', one nation across South America. As plague (brought by the ship) closes in on Manuela's household, so does her tempestuous story move toward Bolívar's betrayal and death.

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

It is a love story that takes place between 1924 and 1954 on the shore of the Caribbean Seawhere we discover the universe of the great Venezuelan artist Armando Reveron, his relationship with his muse Juanita and inseparable companion, the friends who frequent the building andrecreation of the objects that make up his world, his obsession with tropical light that blinds. We will see the development of his mental illness and the universe playful, emotional and painful inthis magical space called The Castillete.

It is a love story that takes place between 1924 and 1954 on the shore of the Caribbean Seawhere we discover the universe of the great Venezuelan artist Armando Reveron, his relationship with his muse Juanita and inseparable companion, the friends who frequent the building andrecreation of the objects that make up his world, his obsession with tropical light that blinds. We will see the development of his mental illness and the universe playful, emotional and painful inthis magical space called The Castillete.

Short film by Diego Rísquez.

Short film by Diego Rísquez.

Short by Diego Rísquez.

Short film by Diego Rísquez.

Short movie by Diego Rísquez.

Short film by Diego Rísquez.