Simon Oakes

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

When a father is forced to abruptly depart for work, he leaves his children, Aidan and Mia, at their holiday home in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace's dark past.

A bullied young boy befriends a young female vampire who lives in secrecy with her guardian. A remake of the movie “Let The Right One In” which was an adaptation of a book.

The story follows a young lawyer, Arthur Kipps, who is ordered to travel to a remote village and sort out a recently deceased client’s papers. As he works alone in the client’s isolated house, Kipps begins to uncover tragic secrets, his unease growing when he glimpses a mysterious woman dressed only in black. Receiving only silence from the locals, Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true identity.

Juliet, a beautiful doctor, has found the perfect New York apartment to start a new life after separating from her husband. It's got spacious rooms, a spectacular view, and a handy, handsome landlord. But there are secrets behind every wall and terror in every room as Juliet gets the unnerving feeling that she is not alone.

40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrive, awakening the house's darkest inhabitant.

A professor and his students perform a dangerous experiment that causes a young woman to lose her sanity.