Production
Joana Ferreira
Lisbon, Portugal
Joana Ferreira was born in Lisbon in 1973. She is managing director and producer at C.R.I.M. She studied Anthropology at Lisbon's Universidade Nova. She has been working in film production of prestigious Portuguese fiction feature films since 1998. She developed and financed cinema projects as a production manager. Among the directors with whom she has worked are Manoel de Oliveira, João César Monteiro, João Canijo, João Botelho, Raoul Ruiz, Teresa Villaverde, Paulo Rocha, Catarina Ruivo, Miguel Gomes and Marco Martins. Since 2006 she has been working as a full-time producer and managing director at C.R.I.M. with a special focus on fiction features.
Acting credits
Behind the camera
NRThis documentary follows a 70 years old, Angolan nurse on a nearly impossible humanitarian mission into her home country. In a southern region that was specially affected by the long lasting, recent civil war, the local hospital has to be restructured. At this place where accidental death, poverty and lack of hygiene continue to be a part of people's daily life, the subversive presence of mystical forces seem to reinvent the meaning of life.
Mãe Fátima
2009
5.8After the Carnation Revolution the peasants in the Alentejo region occupied the huge proprieties where they were once submitted to the power of their masters. The protagonists of this film, resistants of this struggle, tell their story to the youngsters of today, in their own words.
Barbs, Wastelands
2017
NRA path for tourists on their way to the Castle of São Jorge, the Pátio Dom Fradique was once a popular courtyard where around sixty families used to live.Today, ruins of their houses are the unique remains.There, the erased memories of the old city history and the frenzy of the new Lisbon give way to a contemporary urban tale.
Dom Fradique
2017
3.5Bound by a silent pact, five students make a secret trip to the country for what seems to be an initiation ceremony. In threatening landscapes and abandoned ruins, they submit to the strange rituals of their leader, the Dux.
Encontro Silencioso
2017
4.3A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.
The Last Bath
2020
NRWe went on discovering the story of princess Wakasa who fall in love with Fernão Mendes Pinto and was exchanged for a gun's secret.
Wakasa
2011
NRThis film dives into a new world of possibilities, from the diversity of emotions tcreated by this one man alone in this house to his behavior and transformation on the world that he is creating.
Lura
2013
NRNo synopsis available yet.
Dois e Um Gato
2026
5.6A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.
The Tree
2018
7.0Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.
Side Effects
2011
6.3Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.
A Woman's Revenge
2012
6.2At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.
Around the World When You Were My Age
2018
5.0Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.
Love Love
2017
6.6Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
Correspondences
2016
5.9Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.
The Fortunate Ones
2024
5.6Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
What Now? Remind Me
2014
NRCinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.
Acts of Cinema
2018
6.0Eden's Ark is a journey through the dramatic, chaotic, precarious world of botany and film preservation. A journey in danger and poetry, across the ice and the tropics, following adventurers and preservers, and confronting what we lose and save.
Eden's Ark
2011
NROther Letters or The Invented Love deals with the passionate book New Portuguese Letters, a collective work written by the authors known as the Three Marias in the 70s, as a pretext for a short cinematographic inventory about relationships and affection between people today and always.
Other Letters or The Invented Love
2012
“C for Coffee” is a series of informal conversations between directors, about cinema, around a coffee table. The eight conversations, which form the four episodes of the series, took place during the Porto/Post/Doc, Punto de Vista, IndieLisboa and Curtas Vila do Conde festivals, in emblematic cafés in each city.
C For Coffee
2020
5.7An elderly woman and a hormone-charged teenager arrive to a beach hut where, during her brief moments of clarity, she will persuade him to kill her.
Versailles
2013
We don`t know much about the future world where people need to visit 'Kinotels'. But we know that going to the cinema has radically changed. It has become a computer directed kind of intimate ritual during which people enter another reality and switch personality. This is the short story of aman and a woman who visit a Kinotel.
Kinotel
2009
4.5In an abandoned aqua park, a boy and a girl hide from the exterior world.
Aquaparque
2018
5.0In Sarajevo, in a cinema’s projection booth, lives Sena; a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies. Through a combination of silence, the everyday gestures of this woman and the films that are projected from her living room, comes a film built like a day in Sena’s life. Through the films that Sena projects, we are taken on a journey in both collective and personal memory. The film offers a portrait of intimacy crossed with a history witnessed by cinema; a history which Sena has conserved.
How I Fell in Love with Eva Ras
2016

