Jérôme Deschamps

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?

1940, Jeanne Reichenbach turns her back on a peaceful life to link her destiny to Léon Blum. She's been loving him since her teenage years, and is ready to sacrifice her freedom to mary him at Buchenwald, where he's held prisoner. They will survive together.

Marianne, the wife of a wealthy industrialist from Lorraine, envied and admired, a model wife and devoted mother, is about to turn 40, and the comfort of the vast family home has slowly closed its merciless trap around her. So, when the shadow of her past resurfaces, a breach opens. Would another life be possible? And at what price?

Except for Amine and Kimmy, the young couple of neighbors she meets regularly, visitors are rare in Constance Brunel's antique store. Loneliness is also her life. One night, Amine, in a panic, seeks help at her house: Kimmy has fallen badly when she slipped and she has killed herself. Thinking that the police will not believe this version because of his judicial past, Amine borrows Constance's car to take the corpse and make it disappear. In the days that follow, this shared secret brings Constance and Amine closer. But one morning, an anonymous letter accompanied by photos demands a ransom: someone in the building has seen everything, the blackmail begins.

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An illiterate and lonely man bonds with an older and well-read woman.

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A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.

Stéphane Goudet is all over the Tati box-set as the preeminent Tati scholar, so it is only fitting that he conclude the disc with a half hour lecture that concludes the themes and methods of the filmmaker.

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Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.

Eight-year-old Judith was plucked from everyday life to act in a film that was made in Paris. After returning home from the experience, she finds that her parents' marriage is on the rocks. She makes her way back to Paris with her friend Nora, and the two of them do what they can to survive.

It is with a semblance of chronology and to the rhythm of Antoine De Caunes' not unpleasant voice-over that we are told the story of this unusual troublemaker, who, with his extraordinary ease of writing, put the competition light years away in the 1980s. A mini-documentary that reminds us, if it were necessary, that intellectual buffoonery died with Pierre Desproges.

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In Paris, a simple rejected gesture at a movie theater reveals growing cracks between Pierre and Anne. As they go about their daily lives, an unexplained distance threatens their relationship.

During World War II, a woman aboard a railroad car full of deportees slips French railway worker Julien a note with an address and a simple message: "I am alive, and I love you," and he decides to track down the intended recipients. When he finds the woman's Jewish family, he is inspired to do what he can to protect them from the Nazi atrocities.

Philippe meets the beautiful Oksana during a long layover in Moscow. Unfortunately, Oksana is the granddaughter of a murderous mafia don looking to trap a French speaking man to pull off a massive con.

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An American film-star and an unknown British actress meet on set in Rome. She is angry when he refuses to speak to her journalist father, but later they have a passionate relationship.

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted by an apprentice cook. It seems that mother and daughter are drifting apart from each other, but then their holidays are over.

In the forest, knight-errant Hans meets and falls in love with Ondine, a water-sprite who is attracted to the world of mortal man.

A staging of Paul Claudel's play "Partage de Midi" by Antoine Vitez.