
Directing
Adoor Gopalakrishnan
Born 1941-07-03 · Adoor, Travancore, India
Adoor Gopalakrishnan is an Indian film director, script writer, and producer. Regarded as one of the most notable filmmakers of India, Gopalakrishnan played a major role in revolutionising Malayalam cinema during the 1970s and 80s. His first film, Swayamvaram (1972), pioneered the new wave cinema movement in Kerala. One of the most celebrated directors in the history of Indian cinema, he has won 16 National Film Awards, 17 Kerala State Film Awards and several international film awards. For his 1981 directorial venture Elippathayam, he was conferred the prestigious British Film Institute Award. Gopalakrishnan received the Padma Shri in 1984 and the Padma Vibhushan in 2006. In 2004, he was awarded the prestigious Dadasaheb Phalke Award, India's highest award in the field of cinema. Gopalakrishnan's works often depict the society and culture of his native state, Kerala, and deal with social and psychological themes.
Acting credits
7.2What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
Filmmakers in Action
2006
NRAdoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.
Adoor: A Journey in Frames
2015
The creative self of the Master Adoor Gopalakrishnan gets explored through self-reflections, memories and conceptual interventions.
Bhoomiyil Chuvadurachu
2014
6.8How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Filmmakers vs. Tycoons
2005
7.0Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.
Celluloid Man
2012
NRA documentary on eminent film director Adoor Gopalakrishnan by Girish Kasaravalli.
Images | Reflections
2015
8.0The film highlighting the Dravidian temple architecture and bronze sculpture which attained the creative pinnacle during the rule of the Cholas in the 10th and the 11th centuries. Cholas were great temple builders. The temple of Vijayalaya Cholesvara is one of the finest examples of the early Chola style. The temple of Nagesvara at Kumbakonam is remarkable for the sculptures found in the niches of its outer walls. The Brihadesvara temple at Thanjavur is a landmark in the evolution of building art in India.Among several such unique temples, Tribhuvanam is the last important temple belonging to the Cholas. Besides temple architecture,the bronze sculpture of the Cholas holds a unique place in the field of art. One of the most important and famous of all Hindu icons,that of the cosmic dance of the Nataraja is intimately associated with the Chola bronzes.
The Chola Heritage
1980
1.0With a distinct filmography that faithfully depicts a cross-section of the Kerala society on celluloid during his active years, KG George is a master filmmaker and a true genius. This documentary is an attempt to analyse the relevance of his major films and understand his unique personality
8½ Intercuts : Life and Films of K.G. George
2017
Behind the camera
7.3Unni is the last male heir of a decaying feudal family in rural Kerala. His inability to accept the socio-economic changes of a new society causes him to gradually withdraw into isolation and paranoia.
Elippathayam
1982
7.3Unni is the last male heir of a decaying feudal family in rural Kerala. His inability to accept the socio-economic changes of a new society causes him to gradually withdraw into isolation and paranoia.
Elippathayam
1982
6.5This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.
Man of the Story
1995
6.5This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.
Man of the Story
1995
6.5This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.
Man of the Story
1995
NRSukhantyam reflects upon isolation and loneliness experienced by people of all groups, and the emotional fragility that prompts them to contemplate suicide.
A Happy End
2019
NRSukhantyam reflects upon isolation and loneliness experienced by people of all groups, and the emotional fragility that prompts them to contemplate suicide.
A Happy End
2019
Film on art and life of well-known Kathakali Artist - Kalamandalam Gopi.
Kalamandalam Gopi
1999
7.0No synopsis available yet.
La danse de l'enchanteresse
2008
7.0No synopsis available yet.
La danse de l'enchanteresse
2008
8.1A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.
Anantaram
1987
8.1A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.
Anantaram
1987
NRNo synopsis available yet.
Padayaatra
—
NRNo synopsis available yet.
Padayaatra
—
7.6Thommy is the loyal servant of Bhaskara Pattelar, a ruthless tyrant. He struggles between obedience and morality.
Vidheyan
1994
7.6Thommy is the loyal servant of Bhaskara Pattelar, a ruthless tyrant. He struggles between obedience and morality.
Vidheyan
1994
7.6Mathilukal ('Walls') is a free adaptation of the novelette of the same name, written by the celebrated Malayalam writer, Vaikom Muhammad Basheer. Autobiographical in character, it is set against the background of India’s freedom struggle in the ’40s when he was serving a term of imprisonment in the Trivandrum Central Jail. When the film opens, we see Basheer in a police lock-up, quite at home in the company of a few petty criminals. He has been languishing there for more than a year now without a trial.
Mathilukal
1990
7.6Mathilukal ('Walls') is a free adaptation of the novelette of the same name, written by the celebrated Malayalam writer, Vaikom Muhammad Basheer. Autobiographical in character, it is set against the background of India’s freedom struggle in the ’40s when he was serving a term of imprisonment in the Trivandrum Central Jail. When the film opens, we see Basheer in a police lock-up, quite at home in the company of a few petty criminals. He has been languishing there for more than a year now without a trial.
Mathilukal
1990
7.6Mathilukal ('Walls') is a free adaptation of the novelette of the same name, written by the celebrated Malayalam writer, Vaikom Muhammad Basheer. Autobiographical in character, it is set against the background of India’s freedom struggle in the ’40s when he was serving a term of imprisonment in the Trivandrum Central Jail. When the film opens, we see Basheer in a police lock-up, quite at home in the company of a few petty criminals. He has been languishing there for more than a year now without a trial.
Mathilukal
1990
NRThe four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.
A Climate for Crime
2008
NRThe four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.
A Climate for Crime
2008
NRThe four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.
A Climate for Crime
2008
6.9A hangman questions the moral implications of his job after learning that he executed an innocent man.
Shadow Kill
2002
6.9A hangman questions the moral implications of his job after learning that he executed an innocent man.
Shadow Kill
2002