Adoor Gopalakrishnan

The creative self of the Master Adoor Gopalakrishnan gets explored through self-reflections, memories and conceptual interventions.

A hangman questions the moral implications of his job after learning that he executed an innocent man.

Adoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

No synopsis available yet.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

A hangman questions the moral implications of his job after learning that he executed an innocent man.

A hangman questions the moral implications of his job after learning that he executed an innocent man.

A hangman questions the moral implications of his job after learning that he executed an innocent man.

No synopsis available yet.

No synopsis available yet.

Mathilukal ('Walls') is a free adaptation of the novelette of the same name, written by the celebrated Malayalam writer, Vaikom Muhammad Basheer. Autobiographical in character, it is set against the background of India’s freedom struggle in the ’40s when he was serving a term of imprisonment in the Trivandrum Central Jail. When the film opens, we see Basheer in a police lock-up, quite at home in the company of a few petty criminals. He has been languishing there for more than a year now without a trial.

Mathilukal ('Walls') is a free adaptation of the novelette of the same name, written by the celebrated Malayalam writer, Vaikom Muhammad Basheer. Autobiographical in character, it is set against the background of India’s freedom struggle in the ’40s when he was serving a term of imprisonment in the Trivandrum Central Jail. When the film opens, we see Basheer in a police lock-up, quite at home in the company of a few petty criminals. He has been languishing there for more than a year now without a trial.

Mathilukal ('Walls') is a free adaptation of the novelette of the same name, written by the celebrated Malayalam writer, Vaikom Muhammad Basheer. Autobiographical in character, it is set against the background of India’s freedom struggle in the ’40s when he was serving a term of imprisonment in the Trivandrum Central Jail. When the film opens, we see Basheer in a police lock-up, quite at home in the company of a few petty criminals. He has been languishing there for more than a year now without a trial.

Unni is the last male heir of a decaying feudal family in rural Kerala. His inability to accept the socio-economic changes of a new society causes him to gradually withdraw into isolation and paranoia.

Unni is the last male heir of a decaying feudal family in rural Kerala. His inability to accept the socio-economic changes of a new society causes him to gradually withdraw into isolation and paranoia.

A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.

A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.

A drama centered around four women at Kuttanad in Kerala's Alappuzha district.

A drama centered around four women at Kuttanad in Kerala's Alappuzha district.

A drama centered around four women at Kuttanad in Kerala's Alappuzha district.

Thommy is the loyal servant of Bhaskara Pattelar, a ruthless tyrant. He struggles between obedience and morality.

Thommy is the loyal servant of Bhaskara Pattelar, a ruthless tyrant. He struggles between obedience and morality.

This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.

This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.

This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

Sankarankutty, a village simpleton, lives a carefree life, indulges in childish pursuits, lives off the money given to him by his sister (working elsewhere as a servant), and eats quite voraciously. Then one day he gets married, but the wife is frustrated by his aimless lifestyle & irresponsible attitude (even after she gets pregnant). So she goes back to her parents. Meanwhile, his sister who is now living with her lover, can no longer provide for him, and a kind widow who used to care for him passes away. He has nowhere & nobody to fall back on, and from this point on, as he starts a job as assistant to a lorry driver, he starts looking at life in a whole new way and begins to mature as well.

Sankarankutty, a village simpleton, lives a carefree life, indulges in childish pursuits, lives off the money given to him by his sister (working elsewhere as a servant), and eats quite voraciously. Then one day he gets married, but the wife is frustrated by his aimless lifestyle & irresponsible attitude (even after she gets pregnant). So she goes back to her parents. Meanwhile, his sister who is now living with her lover, can no longer provide for him, and a kind widow who used to care for him passes away. He has nowhere & nobody to fall back on, and from this point on, as he starts a job as assistant to a lorry driver, he starts looking at life in a whole new way and begins to mature as well.

Sukhantyam reflects upon isolation and loneliness experienced by people of all groups, and the emotional fragility that prompts them to contemplate suicide.

Sukhantyam reflects upon isolation and loneliness experienced by people of all groups, and the emotional fragility that prompts them to contemplate suicide.

Vishwam and Sita, who resist the opposition from their families, elope and marry. The unemployed couple begin a happier married life, but soon land in a sea of perils without a source of income.

Vishwam and Sita, who resist the opposition from their families, elope and marry. The unemployed couple begin a happier married life, but soon land in a sea of perils without a source of income.

a light comedy about a slovenly young man warned in the nick of time of the imminent visit of his fiance and prospective father-in-law. In the process of tidying up his room, Ravi's frantic efforts to start from one side end up in disturbing the other. Now, Ravi is certain that he will never receive the old man's approval to marry his daughter. But being a dentist, the old man approves Ravi for his well-set teeth.

a light comedy about a slovenly young man warned in the nick of time of the imminent visit of his fiance and prospective father-in-law. In the process of tidying up his room, Ravi's frantic efforts to start from one side end up in disturbing the other. Now, Ravi is certain that he will never receive the old man's approval to marry his daughter. But being a dentist, the old man approves Ravi for his well-set teeth.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.

The four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.

The four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.

The four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.

Ramesh is a poorly paid employee in the city Power House. His only child has high temperature, but he mistakes it for common fever. At the Power House, employees including Ramesh demand a pay rise. When the management turns down this demand, they plot to turn off the main switch of the Power House for a few minutes in order to teach a lesson to authorities. Ramesh is entrusted with this job. In the meantime, the doctor takes the decision to immediately operate on Ramesh's child. Ramesh is not aware of this. In the Power House, Ramesh turns off the main switch. The lights go off in the operation theatre too...

Ramesh is a poorly paid employee in the city Power House. His only child has high temperature, but he mistakes it for common fever. At the Power House, employees including Ramesh demand a pay rise. When the management turns down this demand, they plot to turn off the main switch of the Power House for a few minutes in order to teach a lesson to authorities. Ramesh is entrusted with this job. In the meantime, the doctor takes the decision to immediately operate on Ramesh's child. Ramesh is not aware of this. In the Power House, Ramesh turns off the main switch. The lights go off in the operation theatre too...

Film on art and life of well-known Kathakali Artist - Kalamandalam Gopi.