Benji Schwimmer

When a bored-with-life English teacher meets a West Coast Swing champion dancer, they have an instant connection. Both feel that the other can fulfill what was missing in their lives. Jake and Jessica must try to elude all obstacles, romantic or otherwise, to stay focused on the goal – winning the World Title and winning each other. Will they give in to the pressure or come out like champs?

Chris and RJ, former Mormon missionaries who fell in love seven years ago, are struggling to make their relationship work amid conflicts with their families and their faith. Determined to finally find closure and put the past behind them, the two men set in motion a quest for unconditional love that ultimately leads to the very top of the LDS leadership.

A former dance champion sidelined years by an injury enlists the help of his estranged son to prepare for the Holiday Spin, a ballroom dance contest held every Christmas Eve. Meanwhile, his son takes an interest in a dance prodigy.

The Camparis are a family of women. Sheri is a larger-than-life authoritarian mother, a former ballroom dancing champion who is now fulfilling her passion through her youngest daughter Tasi. Tasi is the darling of the local amateur ballroom circuit, pretty and spoilt, very attached to her older sister, Toni, who is rather plain and insecure. The only man in the Camparis' life is Cedric, Tasis' s gay dance partner and Toni's best friend. When Tasi announces that she is pregnant, her mother Shari decides to groom Toni to take her sister's place and win the coming ballroom competition. But Toni is changing, she has fallen in love with blonde dancer Moana. Maybe a new, and unconventional, girl-girl couple will make her accept the challenge. A totally female family portrait with one character discovering her homosexual identity: a musical comedy (and a successful debut too) somewhere between Dirty Dancing and Little Miss Sunshine, with a hint of Baz Luhrmann.

A Black gay man lives in a cluttered apartment and struggles with booking acting gigs. Unable to convince his boss at his day job to give him time off for an audition, he heads to the casting office anyhow. On his way, a call from his agent informs him—microaggressions included—that the role has been taken and that he needs to present himself better to people. Insulted, he screams at his agent and begins to spiral. Clearly a paycheck away from becoming unhoused and devastated by the state of things, he allows his imagination to offer him a form of respite.