Directing

Alfred Travers

Constantinople, Ottoman Empire [now Istanbul, Turkey]

Alfred Travers (born 1906, date of death unknown) was a Turkish-born British screenwriter and film director. Travers was born in 1906 in Constantinople, Ottoman Empire [now Istanbul, Turkey]. He is a director and writer, known for Dual Alibi (1947), Girls of the Latin Quarter (1960) and The Primitives (1962).

Acting credits

Behind the camera

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8.0

South African Movie

Raka

1968

No artwork available
9.0

A tycoon is conned into believing a homeless man is in actuality the exiled prince of a Balkan nation. The tycoon agrees to bank roll the revolution that is needed to reinstall the prince onto his rightful throne.

Alive on Saturday

1957

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NR

Propaganda short showing how boy scouts can help the war effort in Britain.

Men of Tomorrow

1942

No artwork available
10.0

A young man inherits a fortune, but with a number of conditions attached.

Girls of the Latin Quarter

1960

Dual Alibi poster
5.8

A French PR man and his girlfriend steal a lottery ticket from twin trapeze artists, prompting murder.

Dual Alibi

1947

Dual Alibi poster
5.8

A French PR man and his girlfriend steal a lottery ticket from twin trapeze artists, prompting murder.

Dual Alibi

1947

The Primitives poster
8.5

A group of night club entertainers supplement their income by being international jewel thieves

The Primitives

1962

The Primitives poster
8.5

A group of night club entertainers supplement their income by being international jewel thieves

The Primitives

1962

Meet the Navy poster
5.7

During World War II, the Canadian Navy gathered a troupe of diverse performers (dancers, comedians, singers, musicians) from its ranks and sent them off to entertain their shipmates, and the show/revue ultimately played London's Hioopodrome. The acceptance was based more on wartime-London's appreciation of the gallantry of Britain's sons and daughters from over the seas than it was on the artistic value of the show or the talent of the performers. The film is a fictional/fact mixture of the adventures of the troupe members, and the ending, only part filmed in Technicolor, is primarily the Revue as seen at the Hippodrome.

Meet the Navy

1946

No artwork available
8.0

The story of the formation in war-time Britain of the Royal Netherlands Brigade. Made on behalf of the Rijksvoorlichtingsdienst (the London-based Dutch government in exile) to appeal to Dutch nationals to resist German occupation.

Glorious Colours

1943

No artwork available
10.0

Irish quota quickie

The Strangers Came

1949