Chung-kuei Chang

During the Ming Dynasty, as Japanese pirates wreak havoc along the Chinese coast, laying waste to entire towns, a band of ninjas start appearing and target the Chinese military commander, General Chi. The Master of the Three Arts (who possesses a book illustrating various ninja techniques) is the only one who can combat this new enemy, so he pledges that his students will join Chi's army in their fight to wipe out the killers.

Silver Spear (Jimmy Wang Yu) is a deadly Kung Fu bounty hunter who has been hired to kill three martial arts experts. When the white-haired super-warrior known as The Old Hermit hears about this, he sends some of his own men to put a stop to it. But these newcomers are no match for the mighty bounty hunter, so The Old Hermit sends more, and more, and more, succeeding only in whipping up the raging martial arts maelstrom that is Silver Spear.

Beggars are being killed left and right to get their old leader to come out of hiding and face an old enemy. Meanwhile, young Wu Han Wei is being instructed by his blind grandfather to learn all six styles of the Butterfly technique. But when an old crazy beggar befriends the young student, his fate turns out to be intertwined with that of the fearsome Lu Din, a man with no arms or legs.

A government law officer is dispatched to bring his brother's killers to justice. On his bloody mission, untold assassins are thrown at him, but to no avail. One by one they are done away with in a most militant style.

A group of young undercover cops, who get in a little too deep, become hunted by the police themselves. Superb action: from Dick Wei and Kara Hui.

Two cripples protect a beautiful girl who is on the run from local gangsters and who has become temporarily blinded, while trying to disguise the fact that they are crippled so they can win her affections.

Kidnapped by a group of bandits and raped by their chief, Dan Zhu slowly develops feelings for the perpetrator. Echoing the social realism of Taiwanese new wave filmmaking, director Wang Tung revisits the wuxia genre, with the emphasis on psychology rather than action.