Sarah Gavron

“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

Based on true events about the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

15-year-old Rocks fears that she and her little brother Emmanuel will be taken into care and forced apart if anyone finds out that their mother has left them. Against all odds, and with the help of her loyal friends, she evades the authorities and navigates the most defining days of her young life.

The grind of daily life as a Brick Lane Bangladessi as seen through the eyes of Nazneen (Chatterjee), who at 17 enters an arranged marriage with Chanu (Kaushik). Years later, living in east London with her family, she meets a young man Karim (Simpson).

A powerful one-off drama written by Rosemary Kay , winner of the BBC's Dennis Potter award for new screenwriting. Sadie and Richie MacGregor are thrown into the terrifying world of neo-natal intensive care when their son Luke is born prematurely. Willed on by his desperate parents, he gradually grows in strength - but as Sadie develops a unique bond with her son, her relationship with Richie begins to suffer.

A girl working as a hotdog server in a Scottish Highlands lay-by dreams of going to New York.

Niaqornat in North West Greenland has a population of 59. If the population falls below 50, the village will lose its Danish subsidies and risks being relocated to the nearest town. While the rest of the community pull together to try and re-open the fish-factory, Lars -- the only teenager in town -- plans his escape.