Pip Chodorov

Unable to sleep, Jonas Mekas drifts through New York nights, moving between apartments, studios, galleries, bars, and clubs. Along the way he encounters friends and fellow artists—including Ken and Flo Jacobs and Yoko Ono—capturing an intimate mosaic of nocturnal encounters, reflections, and moments of community.

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

The film documents an encounter at 202 Blvd Saint-Germain, in a cafe underneath Apollinaire's last place of residence. Jean-Jacques Lebel gives Jonas Mekas (who remains off screen), three objects associated with Apollinare: an autographed book, a Futurist manifesto, and one of Apollinaire's last drawings.

Portrait, alternating interviews and extracted from Pip Chodorov's films who evokes its conception of the experimental movies, the links of some of his films with photography. Their character, sometimes improvised, sometimes composed. He’s and editor's activities of videocassettes Re: Voir.

In this documentary, under the gaze of Pip Chodorov, Patrick Bokanowski evokes the genesis of his films and shows, by explaining them, a certain number of his inspirations (his meeting with the painter Henri Dimier , his first photographic tests...), his tools (lenses, title bench, masks, costumes...), his attempts, such as this idea of ​​filming the moving reflection of a mercury surface.

A short portrait of Jonas Mekas on the occasion of his 2002 retrospective in Paris (for his 80th birthday). Through film clips and interviews, Mekas recounts his arrival in America, his early life in New York and his first filmmaking experiences. An introduction to his life and work.

Three weeks of travel in the USA in June 1997: New York, Vermont, New York, Los Angeles, San Francisco, New York, edited entirely in camera and projected with music from the 60s.

Super 8 flicker film shot and hand-developed in Seoul in spring 2022 with jazz soundtrack from a Jonas Mekas centennial tribute in Busan.

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

Jonas Mekas came to Paris in October 1997 for the video release of his film Walden. I filmed the event and its twists and turns at the Cinémathèque, the Fnac, the École des Beaux-Arts, and in a few bars and restaurants. The film ends with some Halloween footage. Music by Bruno Geoffroy and Andrew Rogers, Call Me the Breeze.

The single frame is the only visible unit in film, yet it is nearly invisible. To see a single frame goes against the nature of cinema; even if that is its very nature. If every frame holds the same image, there will be no movement; if they are completely different from each other, there will be no movement either, but chaos. By using a still camera like a film camera and a film camera like a still camera, Numero 4 rides on the edge between film and photography. One unedited super-8 camera roll.

Pip Chodorov's "Charlemagne 2: Piltzer" is a tour de force of hand-processed film which documents a Palestine piano concert. Chodorov uses flicker, negative/positive imagery, different printing techniques and colored filters to produce a film that is a true merging of sound and vision. - Frequent Small Meals

A joyful and light-hearted look at alienation. What we see: ugly modern buildings, too many tourists, uniformity - everywhere the same cafés, the same supermarket bags, beggars and homeless, Senegalese merchants selling small Eiffel Towers, police and people fleeing from them, aggressive restaurateurs, markets, crowded subways, traffic jams and exhaust fumes, prostitutes, street fights, clowns. What we hear: Dinner Music for a Pack of Hungry Cannibals by Carl Stalling, a selection of sound recordings for Warner Brothers cartoons from 1941-50.

Charlemagne Palestine, New York musician in Brussels, and Pip Chodorov, film-maker from New York in Paris, evoke their home town through images filmed in 16 mm, sounds taken over the years, songs, electronic music, as well as a new composition of Charlemagne Palestine: The Pastrami Recordings.

A complement to the previous film (Numéro 4, 1989) : the fictional hero has the power to stop the projector, returning the cinema to its photographic origins, killing its motion. Having the unfortunate idea of taking his self-portrait, he finds himself caught in a photograph, condemned to live in the fleeting reality of the single frame.

The double, the shadow of the subject, refers to the paradox that is at the heart of the human condition: the uniqueness of the viewer and looked, the voyeur seen. Filmed back from New York in Paris in the winter of 1998, this film brings us back to earth, frame by frame, a meditation on the return that focuses our gaze surreptitiously on ourselves.

A short film by Pip Chodorov

A figure with two wings on a church's roof. An opera is suggested, Madame Butterfly. A silent poem that combines effect and (angelical) truth...

"This film is close to End Memory. Under the shock of a recent break-up I built a film with similar elements: a day of nostalgia in the countryside, the picking of blackberries, the meal, having fun with friends, at the edge of the pond, the sunset, the memory of a moment when everything was fine. It's also my only film since End Memory with my own music." (PC)

Pip Chodorov's profile of Jacques Perconte

In "Faux Mouvements", forward and backward motions occur together, movement in different directions are combined. We perceive motion in images that are in fact still. We can also see references to the spiral of the film reel, and the negative and positive of the film process.

A founding member of the Lettrist movement with Isidore Isou, Maurice Lemaître describes here the genesis of the movement, his friendship with Isou, their discoveries in filmmaking and their inventions of infinitesimal and supertemporal art. Shot in his studio in Montmartre, we see him at work and showing his paintings, sculptures and films.

A short portrait of Anthology Film Archives, New York s museum of independent cinema founded by Jonas Mekas in 1970. Features interviews with some of the workers including Mekas and some of his Lithuanian friends.

In December, Armando and Rim invite me to their wedding. I miss the ceremony but film the reception. Maurice Lemaître is the witness. Later in the evening, I go to a concert by Katie O'Looney where Rose Lowder screens her films. We see other friends who are visiting Paris in December, and the film ends with an image of the first snowfall of the year.

Romanian fairy tales usually start with the sentence: “Once upon a time something happened, if it hadn’t happened it couldn’t be told.” In this fairy tale, a stranger visits the remote mountain village of Slon.

short documentary about the making of Dyn Amo

- "The Spells of Kenneth Anger" was shot in Hollywood in July, 2003. Anger gives an overview of his life and we see clips of his many films. He touches on his run-in with Charles Manson, being influenced by Alistair Crowley, working with Marianne Faithful, and he shows us his favorite place in LA: the Hollywood cemetary.