Nihal Yalçın

Doctor Bahar receives a phone call during her son Mert’s birthday and leaves for an old man’s home to prepare a report for death. This task may seem like a professional routine for Bahar, but it turns into something else with the confession of the bride that leaves Bahar between her conscience and her career.

Suna is a teenage athlete who lives with her mother in a mountain village much like the world at large: here, things are run by older men who know it all, environmental destruction looms, and greed beats in most hearts.

Hasan is a taxi driver working the night shift. On the early-morning drive home, he sees a woman passing in high heels. Fascinated by her appearance, he does something that leads to disaster in a world where the boundaries of masculinity are clearly drawn.

Belma’s self-confidence gets damaged when the doctor she went to for her skin rash problem tells her that she should get botox. She becomes a woman who is uncomfortable with her skin and gets botox but things do not go as she expected.

Istanbul is under quarantine. Felek and Kerim find the best way to make profits in this period. They will access people's computers and introduce themselves as government officials, making them confess their "crimes". However, the city in question is Istanbul and all kinds of people live here.

Zuhal, a successful lawyer living alone in the center of Istanbul, begins to hear the sound of a cat in her house one day. She sets out on a quest in her apartment to find this cat, which no one has heard of but herself.

Muharrem faces his life, thoughts, and inner darkness at a party he does not want to attend.

Araf is the story of Zehra and Olgun whose lives are caught in a vacuum. The world in which they live and work is a place of throwaway culture and constant change. They too are waiting for a chance to change and escape from their empty, monotonous lives.

He is a boss who dedicates his life to grow up the textile empire he inherited from his father and does not hesitate to follow ruthless methods for it. He decides to choose a different life after a heavy traffic accident.

Mukhtar Yusuf Ağa’s unregistered village in eastern Anatolia has been championed through letters to government officials, and his lost son İbrahim, rescued and registered by Father Hana, is finally returning at age 30 with his American love Jessica; the question is whether Tinne can become their true homeland.

Meet Vartanus who has devoted her life to her bedridden father; Goncagul who realizes that her Mafioso lover will never marry her. Gulnur who's resigned herself to daily beatings as long as her husband doesn't touch the kids, Tulay who's shattered every time her mother gets beaten; hairdresser Fusun who tends to see things on the bright side. These are the women who transport Eylem, each other and perhaps every woman in the country to Last Stop: Kurtulus. The heroines adopt one unwavering principle: to oppose all forms of violence! A dark comedy that's rose-tinted, provocative and fantastic...

A boxer from berlin gets involved in several schemes. When trouble mounts, he relocates to Turkey.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

The most famous thing about Bitlis, as evoked by the song "Bitlis'te 5 minare" (Five Minarets in Bitlis), is the unique atmosphere of this small city, famous for its parched lands, historical fabric, and tobacco. Medine is an elderly woman living with her three adult children—one an imam at a mosque, one a worker at a cigarette factory, and the other a student at a tutoring center—and is overwhelmed by their troubles. The unexpected return of her fourth child, who was involved in pirated CD sales in Istanbul, escalates the problems and pushes the family into an even more untenable situation. In this distant and suffocating city, everyone—from the wounded cow roaming the hills to the imam at the mosque—has an issue related to pride. As the camera draws closer to its characters and events, it reveals that things are not as they seem, sparking our curiosity to understand the truth.