Émile Cohl

Stop-motion film from Émile Cohl has a clown walk out in front of a group of people and do various tricks including standing on his head, riding a horse and falling face first off the horse.

Framed in a wreath of roses we see a lithe Creek dancer, who sways and postures before an epicurean party of ancients, followed by a laurel wreath and encircling a scene showing school children of 1830 receiving their marks of diligence at a distribution of rewards: then the wreath of bay tendered by the Human Senators to Caesar on the culmination of his career; now a beggar receives a loaf called a "crown" from a charitable passerby: Christ is shown crowned with thorns by the rabble; following the divine drama we see the old comedian's wreath presented him at a performance. The next view shows the Emperor Charlemagne crowning his son Lewis. The film closes with the wreath of orange blossoms encircling a bridal party.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

A British clown invents a device which shows all people in grotesque sizes.

A splendid blend of live-action photography and Cohl's famous animation, Nothing... displays the realms man has conquered: Air, sea, the domains of music and machinery. The one thing man cannot conquer, Cohl posits, is gossip.

Documentary about founding father of Georgian Animation, Lado Mujiri.

Stop-motion film from Émile Cohl has a clown walk out in front of a group of people and do various tricks including standing on his head, riding a horse and falling face first off the horse.

Framed in a wreath of roses we see a lithe Creek dancer, who sways and postures before an epicurean party of ancients, followed by a laurel wreath and encircling a scene showing school children of 1830 receiving their marks of diligence at a distribution of rewards: then the wreath of bay tendered by the Human Senators to Caesar on the culmination of his career; now a beggar receives a loaf called a "crown" from a charitable passerby: Christ is shown crowned with thorns by the rabble; following the divine drama we see the old comedian's wreath presented him at a performance. The next view shows the Emperor Charlemagne crowning his son Lewis. The film closes with the wreath of orange blossoms encircling a bridal party.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

A British clown invents a device which shows all people in grotesque sizes.

A splendid blend of live-action photography and Cohl's famous animation, Nothing... displays the realms man has conquered: Air, sea, the domains of music and machinery. The one thing man cannot conquer, Cohl posits, is gossip.

Part of Émile Cohl's Newlyweds series, based on George McManus' comic strip.

The great men of letters and military conquest pose on subsequent pages of a very special history book.

A traveler is welcomed into a fully automated hotel, where no human intervention is required. But the machines malfunction, giving the guest a nightmarish experience. Extremely dissatisfied, he wants to leave without paying. However, this possibility having been anticipated, he has no choice but to pay the bill, and also to leave a tip.

A traveler is welcomed into a fully automated hotel, where no human intervention is required. But the machines malfunction, giving the guest a nightmarish experience. Extremely dissatisfied, he wants to leave without paying. However, this possibility having been anticipated, he has no choice but to pay the bill, and also to leave a tip.

Framed in a wreath of roses we see a lithe Creek dancer, who sways and postures before an epicurean party of ancients, followed by a laurel wreath and encircling a scene showing school children of 1830 receiving their marks of diligence at a distribution of rewards: then the wreath of bay tendered by the Human Senators to Caesar on the culmination of his career; now a beggar receives a loaf called a "crown" from a charitable passerby: Christ is shown crowned with thorns by the rabble; following the divine drama we see the old comedian's wreath presented him at a performance. The next view shows the Emperor Charlemagne crowning his son Lewis. The film closes with the wreath of orange blossoms encircling a bridal party.

In "Rêves enfantins", players in the flesh are mixed with animated objects and cut-out paper actors.

Early short by French animation artist Émile Cohl. A woman becomes slowly visible in front of a black space. She points a wand and spells the word “Bonsoir” in colored letters formed from flowers.

A woman becomes slowly visible in front of a black space. She points a wand and spells the word “Bonsoir” in colored letters formed from flowers. Intended to be projected at the conclusion of the film programs, the film was directed by Emile Cohl in 1910 (Source: https://gparchives.com/index.php?urlaction=doc&id_doc=275531).

Simple line drawings undergoing the usual transformations so beloved of French filmmaker Emile Cohl.

Part of Émile Cohl's Newlyweds series, based on George McManus' comic strip.

Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.

This subject portrays in a vivid manner the operations of a puppet in his efforts to see the sights.

A showman invites patrons to step up to his Kinetoscope-style magic box and glimpse the answers to their most burning questions.

There have been numerous studies of plants and flowers presented to the public, but none which exhibit the perfection of stereoscopic detail. The various plants have been photographed against black backgrounds and are carefully colored. In addition, the various groups were made to revolve during the time of exposure and thus show a succession of lights and shadows which produces the relief which adds so greatly to a picture. (Moving Picture World)

A Émile Cohl animated short in The Newlyweds series.

An old and learned doctor discovers the secret of spontaneous generation and makes a microscopic germ which in its growth gives birth to the following people who dissolve into one another and into other shapes with startling mystery.

Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.

And now our funny little friend, Snookums, has started real trouble for his poor Dada. A few of the neighbors and Dada were having a nice quiet little game when the door-bell rang and when Snookums' beautiful mother went to the door, she found the minister.

Papa Newlywed and his lovely wife looked up at their child apprehensively. Yes. Their own precious Snookums was on the warpath again

An animation where real life objects turn into animations.

A bizarre musical couple falls asleep after an insane performance, and dreams about musical instruments.

Several unique specimens of highly ornamented porcelain are shown in series. In each case the various pieces of ware are in reality formed of living people. After a short time has been allowed for admiration of each article, it disintegrates into the individual models, who pose in various figures and dances. In the following pictures are seen a powder box, a clock, candle sticks, a loving cup and a vase, all of wonderfully ornate design, beautifully colored. (Moving Picture World)

An Émile Cohl animation short.

A hybrid animation and live footage film from Émile Cohl about a painter.

The stick man Fantoche is looking for a home, but there doesn't seem to be any room anywhere, not even in Hell.

Poor little dear! This time our little Snookums is in real trouble. No, he was not ill, but, believe me, he was unhappy.

When "Snookums" started to cry, Da-da thought it was because there was no milk in the house, and so he started on a run to the nearest store.

In the course of various unfeasible adventures, Monsieur de Crac finds himself comfortably installed in Mount Etna, smoking a pipe, when he is confronted by the Monster of the Volcano, who throws him down into the bowels of the earth and out into an ocean on the other side of the world

Depicts a doctor looking into his patient's brain and seeing a collection of hideous and grotesque figures.

A child painter sells one of his paintings to an adult who appears to be surprised.

A mixture of stop-motion and live action film from Émile Cohl with tin soldiers, children's drawings and cannibals in blackface.

A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).

A salesman pursuing a potential client takes tenacity to new heights, and depths.