Harold Manning

Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.

Tony is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on a turbulent relationship that she experienced with Georgio.

William’s great surprise, his cousin Clovis, whom he did not see again since around thirty years, arrives from New York to visit him. Reunion between both men creates one thousand memories: always so collusive, they become fast inseparable, living again, the space of moment, their young years… Only Elizabeth, wife of William, who has just lost her father, does not share their cheerfulness.

Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.

William’s great surprise, his cousin Clovis, whom he did not see again since around thirty years, arrives from New York to visit him. Reunion between both men creates one thousand memories: always so collusive, they become fast inseparable, living again, the space of moment, their young years… Only Elizabeth, wife of William, who has just lost her father, does not share their cheerfulness.

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.

Three war stories, far from the Front. The first two take place during the Great War, one in the summer of 1916, when allegiance still reigns, the other in the winter of 1916, when a convalescent soldier and his young cousin go for a walk in the woods. The third story, set in the present day, accompanies two young French soldiers, marked by the violence of the fighting in a distant and blurred war that no one seems to care about, during a July Fourth ball.

In this archival documentary, Sydney Pollack discusses his career and relationship with various actors, directors and producers. A large portion of the documentary examines Pollack and Robert Redford's friendship, as well as the various films they did together during the years.

In this archival documentary, Sydney Pollack discusses his career and relationship with various actors, directors and producers. A large portion of the documentary examines Pollack and Robert Redford's friendship, as well as the various films they did together during the years.

Robert Redford discusses his involvement with 3 Days of the Condor, his interest in politics, how cinema has changed since the '70s, etc. Additionally, director Sidney Pollack recalls how 3 Days of the Condor came to exist.

Robert Redford discusses his involvement with 3 Days of the Condor, his interest in politics, how cinema has changed since the '70s, etc. Additionally, director Sidney Pollack recalls how 3 Days of the Condor came to exist.