Kam Kwok-Leung

A massive explosion and shootout in snowy Causeway Bay, Hong Kong, reveals a pharmaceutical heir's plot. His father's death in hospital triggers a drug war, destabilizing both legitimate and criminal worlds.

Three oddball brothers go looking for love but unfortunately, their out-there personalities get in the way!

Yuan Xiuling, a former star and has-been actress plans to return to the spotlight of the theater a year after her philandering husband died. She decides to star in Two Sisters, written and directed by transwoman An Ouyang. But, her biggest rival, He Yuwen, a rising actress, also stars in the play.

As Hong Kong television entered the 1990s, this cross-network gala looked back over the industry's history from the founding of the territory's first subscription station in 1957 — the launch of TVB, the three-way rivalry between TVB, RTV and CTV, and the fierce ratings wars — with Sir Run Run Shaw and other key figures telling the story in person, and a star-studded line-up including Chow Yun-fat, Liza Wang, Sam Hui and Stephen Chow performing in tribute to the industry's finest.

No End of Surprises is a Hong Kong Comedy Drama starring Jackie Chan.

Khmer Rouge terrorist Kieron Chow and his unit arrive in Hong Kong for their latest mission. Todd, Chow's son and fiercely loyal right-hand man, sustains a serious head wound. Now a total amnesiac, Todd wakes from a coma to find he's been given a new life, one that may be the death of him. With the help of psychiatrist Shirley Kwan, anti-terrorist officer Mark Chan tries to convince Todd that he is actually an undercover cop sent to infiltrate Chow's group. As fragments of his shattered memory return, Todd is forced to choose between his dark past and this one shot at redemption

Hong Kong Superstars is a documentary

An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.

Huang Fei-hung is back, in a new adventure written and directed by veteran Huang filmmaker Wang Feng. Newcomer Shih Chung-tien stars as the Confucian healer who fights jealous villains with wisdom, intelligence, and fabulous kung-fu.

Paralyzed at a young age, Jing is a kind piano teacher who leads a quiet life. One day, she accuses her doctor Zhou of molesting her during a typical medical examination. Zhou is promptly arrested, charged and put on trial. The prosecutor of the case is Tim, an idealistic lawyer who joined the law world to punish the guilty. However, as Tim's investigator Nam helps him peel back the pieces, the more complex the case becomes. Soon, Tim begins to question the truth surrounding Jing's story.

Nineteen-year old Ina inherits a sauna and decides to build a new future for the girls working there, but first she needs to confront her father's dangerous past.

The fifth episode of Ann Hui and Yim Ho’s “ICAC” Series (1978) around bribery and corruption

This is an outrageous comedy about seven days in the life of two girls Leung and Ling, who want to skyrocket to the top by entering a beauty pageant. Both girls are ballyhooed as the hottest contestants, but at the end neither can make it to the top 5! What's more, Ling is dumped by her boyfriend, and gets fired at the same time. Being afraid of going home to get along with her father. Leung gives her a hand, inviting Ling to stay with her in her roof-top bungalow. Then they begin their days of similar conscious degradation, which force them to become best friends. But their friendship becomes short-lived when they run into a handsome and well-built young man Wong. They start to vie for his attention and his sex. However, before the climax of their war comes, they find out that he's a dawdler. Shattered by the fact, the two girls eventually come to team with one another.

Two sisters seek diversion after repeat disappointments with men.

A young man who has been beaten, abused, humiliated and laughed at all his life finds that he has an unusual empathy with snakes. He can talk to them and they understand him, and eventually he finds that he can get them to do his bidding. He decides to use his newfound friends to take his revenge on everyone who ever did him wrong.

No synopsis available yet.

Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.

The Empire Hotel is a 30-year-old landmark in Macau's old quarter, inhabited by characters with their own stories and struggles. It is also Maria's home. One day, the burden of keeping lives together and the hotel standing falls on her shoulders. A young man who left Macau two decades ago returns, intent on revenge and reclaiming his mother's fortune – half the hotel. Inside the casino, Maria sings Fado and exotic dancers perform. It is against this illusory backdrop that the man lays eyes on Maria for the first time; they’re both mesmerized. The film cuts back and forth between film noir-style scenes of Macau’s past and present.

A look back at the largely undocumented period of early Chinese-language horror cinema, beginning in Hong Kong and the Shaw Brothers and graduating to Taiwan and the production of Calamity of Snakes in 1983.

Hong Kong film

Quentin Lee returns to Hong Kong, where he was born and raised. As he explores his desire to move back there from Los Angeles, he interviews local artists, filmmakers, friends, and family about why they are in Hong Kong and why they choose to be there.

hong kong film

In the waning days of China's feudal aristocracy, a powerful family crumbles under the weight of tradition, betrayal, and inner decay. The Yang household, ruled by the domineering patriarch Mr. Yang, is torn apart as each son struggles with personal misery: a forbidden love, a loveless marriage, a murderous rivalry, and class-defying passion. As secrets of smuggled arms and illicit affairs come to light, the once-mighty clan collapses amid death, scandal, and disgrace.

Made up of four short stories. One, a lonely hooker can't stop crying whenever she has sex with her clients. She approaches a shrink and ends up stalking him. Two, a long suffering wife and the mistress of her husband bonds. Three, a weird tale of a lesbian avenging her comatose twin sister by killing her unfaithful boyfriend. And lastly, a woman one day suddenly decides that she had enough of her failing marriage and desperately seeks a reinvention of her life.

Cheung Sheung and Tze Ngor are twin sisters. Tze Ngor is a lunatic and stays in a mental hospital. But out of a madcap incident, Cheung Sheung is "cheated" into the hospital, exchanging identity with her insane sister. The mad house is lived by all kinds of weirdos. The "game" is that Cheung Sheung will stay in the hospital only for a while. But strangely enough, she gradually becomes more and more ease with the way of life in the hospital until one day, she's forgotten what life is like...

Cheung Sheung and Tze Ngor are twin sisters. Tze Ngor is a lunatic and stays in a mental hospital. But out of a madcap incident, Cheung Sheung is "cheated" into the hospital, exchanging identity with her insane sister. The mad house is lived by all kinds of weirdos. The "game" is that Cheung Sheung will stay in the hospital only for a while. But strangely enough, she gradually becomes more and more ease with the way of life in the hospital until one day, she's forgotten what life is like...

The fifth episode of Ann Hui and Yim Ho’s “ICAC” Series (1978) around bribery and corruption

The comedy of the year. This wannabe magical romance-drama is one of the most illogical films ever and the actors, if not director Kam Kwok-Leung, may be aware of it. Featuring CGI tears and paintings of corn-eating monkeys. The highlight: Chang Chen pretending to be Korean.

This is an outrageous comedy about seven days in the life of two girls Leung and Ling, who want to skyrocket to the top by entering a beauty pageant. Both girls are ballyhooed as the hottest contestants, but at the end neither can make it to the top 5! What's more, Ling is dumped by her boyfriend, and gets fired at the same time. Being afraid of going home to get along with her father. Leung gives her a hand, inviting Ling to stay with her in her roof-top bungalow. Then they begin their days of similar conscious degradation, which force them to become best friends. But their friendship becomes short-lived when they run into a handsome and well-built young man Wong. They start to vie for his attention and his sex. However, before the climax of their war comes, they find out that he's a dawdler. Shattered by the fact, the two girls eventually come to team with one another.

This is an outrageous comedy about seven days in the life of two girls Leung and Ling, who want to skyrocket to the top by entering a beauty pageant. Both girls are ballyhooed as the hottest contestants, but at the end neither can make it to the top 5! What's more, Ling is dumped by her boyfriend, and gets fired at the same time. Being afraid of going home to get along with her father. Leung gives her a hand, inviting Ling to stay with her in her roof-top bungalow. Then they begin their days of similar conscious degradation, which force them to become best friends. But their friendship becomes short-lived when they run into a handsome and well-built young man Wong. They start to vie for his attention and his sex. However, before the climax of their war comes, they find out that he's a dawdler. Shattered by the fact, the two girls eventually come to team with one another.