Jean Mitry

Inspector Maigret investigates the mysterious murder of a Dutch diamond dealer, found dead in a stolen car. The car belongs to an insurance agent, Michonnet, and has been abandoned in the garage belonging to Carl Andersen.

Inspector Maigret investigates the mysterious murder of a Dutch diamond dealer, found dead in a stolen car. The car belongs to an insurance agent, Michonnet, and has been abandoned in the garage belonging to Carl Andersen.

Short film Leduc participated in during his time as a student at the Institut des Hautes Études Cinématographiques, in which he served as director and in which fellow students and teachers participated.

No synopsis available yet.

Michel and Paul earn money from passers-by by doing chalk drawings outside the Louvre. They also make the scene at the hot spots of Paris. Sand is a wealthy and luscious blonde artist who paints nude girls and houses at her loft. When Michel's gorgeous sister shows up from out of town, both Paul and Sand fall for her.

The Raffin Commissioner investigates the murder of an industrialist and it soon becomes apparent that the activities of the relatives of the deceased all revolve around the Folies-Bergere.

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.

This film was conceived as a means of initiation for schools and organizations specializing in film culture. It is the first in a series designed to introduce the main technical and aesthetic aspects of film creation.

The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.