David Redmon

Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.

Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

Donkeys inhabit and communicate with each other - and the filmmakers - in a Sanctuary.

Charles is in love with his invisible girlfriend, Joan of Arc, so he decides to ride his big red bicycle 400 miles from Monroe through rural Louisiana to find her in a New Orleans bar. Along the way, he encounters a farmer, a witch, a tin man, and a man who honors the dead. Working within the tradition of creative non-fiction, Invisible Girlfriend is a Southern tale that transcends literal interpretations of images in order to open up rich, loamy textures of humor and drama. The cinematography is startling in its intensity and violent beauty, representing an optical trope that offsets the desperate love that Charles sets off on his journey to find.

Kamp Katrina, a cinéma vérité documentary, follows the in-depth lives of a small group of people who have taken refuge in a garden transformed into a tent city by an extraordinary New Orleans couple, Ms. Pearl and her husband, David. Carnivalesque Films latest documentary uses tragedy as a tool to clarify and illuminate the chaos and madness of life. This film has no political targets; instead, it focuses on the struggle of these individuals to pick up their lives and face responsibilities in the face of loss, grief, and hope.

There is mystery to the sound and image. The focus is on an animal, but what animal? The image contains subtle movement. Gates slam as percussion to the quiet nighttime sounds. The delicate movement of the animals fur and flesh is contrasted against its sound, almost musical in pitch and tone. The beast creates a symphony of sounds

Night Labor follows Sherman Frank Merchant, a forty-six year old 6'6" Downeaster during his transition from an independent and rugged clam digger by day to manning a factory at night. With his white smock, arsenal of knives, and signature black beret, Sherman performs the tasks of preparing and arranging tools for the day laborers who arrive to their 6am shift.

A woman awakes from a dream and explores life. Her life is embodied in images and sounds, a poem from lost fragments stitched together creating an evocative journey through time.

Shot over the course of five years, Intimidad is an in-depth portrait of Cecy and Camilo Ramirez, a young couple struggling to make ends meet in Reynosa, Mexico. They have recently left their 2-year old daughter, Loida, with Cecy's mother in Santa Maria in the hopes of building a proper home and after one year, they return to visit her for the Christmas holidays. But their vacation is barely the respite the couple expected, as Loida hardly recognizes her parents, and a sudden tragedy threatens to tear the family apart.

This examination of cultural and economic globalization follows the life-cycle of Mardi Gras beads from a small factory in Fuzhou, China, to Mardi Gras in New Orleans, and to art galleries in New York City.

In this snowbound ballet mécanique, hills of snow are cleared from the lamplit streets of Montreal in noisy, rhythmic procession

Explores Italian immigrant Antonio Bussone's use of federal grants to return factory work to the United States.