Josie Antello

Have you ever imagined Xuxa Meneguel as a villain? So, get prepared, because in Xuxa Gêmeas, Xuxa faces the challenge of impersonating two characters, at the same time: The shrew, Elisabeth Dourado, and her twin sister, the sweet Mel Montiel.

Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher, and a young man she has just met by chance – one of these encounters which mythology and literature are full of. A delicate soul who finds itself attracted to a beauty that seems to demand, disturb and move her. That shakes her up entirely. During the days following their first conversation, she will expose all her feelings through classes in which he will let himself be carried away. Until an unusual episode from the past is revealed and changes everything.

We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.

The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.

No synopsis available yet.

No synopsis available yet.

Comedian Sérgio Mallandro is going through a bad phase in his life. Money is getting tighter and tighter, and he even tries to work as a ride-hailing driver, but he can't because, even in disguise, he always ends up being recognized by his passengers. Then an opportunity arises to return to television, but the comedian ends up in trouble and can no longer say any of his famous catchphrases. Mallandro now needs to reinvent himself to get one last chance at his artistic career.

Over a tense day in the emergency hospital, we follow the surgeon's work Evandro and staff in three cases that require risk surgery: a drug dealer, a military police officer and a rich family child, all injured during a shootout in a slum next to the hospital.

Kira is a botanist with magical abilities, though the origins of her powers remain unknown to her. Her life takes an unexpected turn when her friend Nanda discovers an elf named Damiz trapped in her room. They soon learn that Damiz is the prince of the elves and has been captured by Gorgon, a greedy executive who seeks to purchase the house where Nanda’s family lives. In order to help defeat Gorgon, Kira decides to venture into the world of the elves, where she uncovers hidden secrets about her past.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

Three friends, Hilda, Matilda and Gaspar, meet in a rundown downtown apartment during a weekend to chat, drink and experience pleasure.

Everything changes in Fani's life when the opportunity arises to do an exchange program and live in another country for a year. The revealing conversations by phone or MSN and the constant notes during the class turn to another subject: the upcoming trip.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

No synopsis available yet.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.

Two women, long-time friends, embark on a love story. They are writers who do not write to publish but for themselves. Their mutual conversation, their desires, the risks and phantoms of existence, the privilege of the wounded and of condemnation, traverse their speech, are a confession.

The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.

In this story, Narizinho visits the world of Prince Escamado, meets the frog Major Agarra-E-Não-Larga-Mais, quarrels with Dona Carochinha, and receives the most dazzling dress—crafted especially for her by Dona Aranha, the world's best seamstress. In the Kingdom of Clear Waters, Emília comes to life, takes Doctor Caramujo’s pills, and begins to chatter away. Meanwhile, back in the city, Pedrinho prepares for his long-awaited vacation at the Yellow Woodpecker Farm, alongside his grandmother Dona Benta and Tia Nastácia’s delicious treats.

The story of José Abelardo Barbosa, narrated from the time of his youth, when he was at medical school, and dropped everything to become a radio announcer. After that, we follow the transformation of his life and the creation of his alter ego, Chacrinha.