Acting
Christa Ludwig
Born 1928-03-16 · Berlin, Germany
Christa Ludwig (16 March 1928 – 24 April 2021) was a German mezzo-soprano and sometime dramatic soprano, distinguished for her performances of opera, lieder, oratorio, and other major religious works like masses, passions, and solos in symphonic literature. Her performing career spanned almost half a century, from the late 1940s until the early 1990s. She sang at many international opera houses and festivals, including at the Vienna State Opera from 1955 to 1994, and at the Metropolitan Opera in many roles. She is remembered for roles such as Mozart's Dorabella, Beethoven's Leonore in Fidelio, Wagner's Kundry, and both Octavian and the Marschallin in Der Rosenkavalier by Richard Strauss. In Vienna, she created the title role of Gottfried von Einem's Der Besuch der alten Dame in 1971. She is widely recognised as having been one of the most significant and distinguished singers of the 20th century. The NPR Listener's Encyclopedia of Classical Music (2006) stated "Ludwig possessed a voice of exquisite richness and, when needed, breathtaking amplitude. She had the ability to impart dramatic urgency to a performance, the hallmark of a great singer." Ludwig was born in Berlin to a musical family. Her father, Anton Ludwig, who began his singing career as a baritone and later moved into the tenor repertory, was also an opera administrator, and her mother, Eugenie Besalla-Ludwig, was a mezzo-soprano who sang at the Aachen Opera during Herbert von Karajan's period as conductor. Ludwig grew up in Aachen, where her first voice teacher was her mother. At age eight, she sang an aria of the Queen of the Night in Mozart's The Magic Flute. At Aachen Conservatory, she studied piano, cello, flute and music theory. The family moved to Hanau when their home was bombed in 1944. She studied voice at the Musikhochschule Frankfurt. Ludwig made her stage debut in 1946 at the age of 18 as Orlovsky in Die Fledermaus by Johann Strauss at the Oper Frankfurt, where she sang until 1952. She was a member of the Staatstheater Darmstadt from 1952 to 1954, then sang for the 1954/55 season at the Staatsoper Hannover. She joined the Vienna State Opera in 1955, where she became one of its principal artists and was awarded the title Kammersängerin in 1962. She performed with the company for more than thirty years in 43 opera roles and 769 performances. In 1954, she made her debut at the Salzburg Festival as Cherubino in Mozart's The Marriage of Figaro, conducted by Karl Böhm, and appeared there regularly until 1981. At the Vienna State Opera, she created the title role of Gottfried von Einem's Der Besuch der alten Dame on 23 May 1971, conducted by Horst Stein and alongside Eberhard Waechter as her lover Alfred Ill. The performance was recorded by Deutsche Grammophon, and reissued on CD by Amadeo and later Orfeo. ... Source: Article "Christa Ludwig" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Acting credits
7.0"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,
Bernstein Mahler Rehearsal
1976
NRNo synopsis available yet.
Karajan · Die Symphonien
2005
9.5Mirella Freni, Placido Domingo, Christa Ludwig, and Robert Kerns star in this Jean-Pierre Ponnelle-directed version of the Puccini opera, with Herbert von Karajan conducting the Vienna Philharmonic. Madama Butterfly is a staple of the standard operatic repertoire for companies around the world, ranking 7th in the Operabase list of the most-performed operas worldwide.
Puccini's Madama Butterfly
1974
NRSymphonien Nos. 1 - 9 Gundula Janowitz · Christa Ludwig · Jess Thomas · Walter Berry Chor der Deutschen Oper Berlin Berliner Philharmoniker Herbert von Karajan Directed by: Arne Arnbom, Herbert von Karajan Hugo Niebeling, Hans Joachim Scholz
Karajan - Beethoven: The Symphonies
2008
Documentary about female opera stars.
Faszinierende Frauen - Faszinierende Stimmen
2009
NRWith a career that includes a 35-year tenure as composer of the Berlin Philharmonic and record sales topping 200 million, Herbert von Karajan is one of the most legendary figures in 20th-century classical music. Comprised of archival footage, performance highlights and interviews with the likes of Anne-Sophie Mutter, Christa Ludwig and Seiji Ozawa, this retrospective chronicles the life and times of the iconic Austrian maestro.
Karajan: Beauty As I See It
2008
8.0This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler's works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years. Leonard Bernstein also examines the roots of Gustav Mahler's inspiration. The programme also features music from the nine symphonies, 'The Song of the Earth' and the 'Wunderhorn Cycle'.
The Little Drummer Boy: An Essay on Mahler by Leonard Bernstein
1985
7.0An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.
Karajan: Portrait of a Maestro
2019
NRFor his audio-visual recordings of both Das Lied von der Erde and the songs from Des Knaben Wunderhorn, Leonard Bernstein turned to the Israel Philharmonic Orchestra, an ensemble with which he had a decades-long relationship. For this live recording made at the Frederick Mann Auditorium in Tel Aviv of Mahler’s 1908 work – a part symphony, part song cycle setting fin-de-siècle German translations of Chinese poetry – the conductor is joined with two of the greatest singers of the time: tenor René Kollo and mezzo-soprano Christa Ludwig, who features in the final song of the work, “Der Abschied” – a heartbreaking farewell that lasts as long as all five other movements put together.
Mahler Bernstein Das Lied von Der Erde
—
NRThis is the historic concert performance of the final operatic version of Bernstein's Candide. It was recorded on December 13, 1989 at the Barbican Centre, with Leonard Bernstein conducting the London Symphony Orchestra and Chorus, with a stellar cast of operatic stars gracing the solo parts. The programme lasts a full 2hrs 27 mins. It marks the end of a long and tortured journey for the musical/operetta that spent much of its first 35 years as an orphan in the musical wilderness.
Leonard Bernstein - Bernstein - Candide
1989
7.0Wiener Philharmoniker and Wiener Philharmonia Chor Conducted by Karl Böhm Directed by Vaclav Kaslik
Così fan tutte
1970
8.1The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Die Walküre
1990
7.8From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.
Das Rheingold
1990
8.3The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.
Götterdämmerung
1990
NRNo synopsis available yet.
Eine Stadt als Bühne - 100 Jahre Salzburger Festspiele
2020
7.5No synopsis available yet.
Candide
1991
NRDuring a break in rehearsals with the Israel Philharmonic, Leonard Bernstein sat down at the piano to film an introduction to the poetry and music of Gustav Mahler's Das Lied von der Erde.
Das Lied von der Erde: A Personal Introduction
1972
10.0Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.
Mahler - Symphonies Nos. 1, 2 & 3
1973
7.5Wagner's communal drama on film.
Die Meistersinger von Nürnberg
1970
NRNo synopsis available yet.
Von Reinhardt bis Karajan - 50 Jahre Salzburger Festspiele
1970
NROn stage, Christa Ludwig's Leonore puts all others in the shade. In this role, she achieves something rare: a perfect unity of stage character and singer. Her male disguise is believable; this Fidelio is a slender, lanky young man with whom it is easy to imagine the silly Marzelline falling in love.
Fidelio
1963
7.5Requiem in D minor, K 626 by Mozart, Wolfgang Amadeus Performer: Walter Berry Gundula Janowitz Christa Ludwig Peter Schreier Orchestra/Ensemble: Wienere Symphoniker Orchestra Conductor: Bohm Karl Chor der Wiener Staatsoper Period: Classical Written: 1971 ; UNITEL
Mozart Requiem
2005
10.0Leonard Bernstein performs three of his own compositions with the Israel Philharmonic Orchestra at the Philharmonic in Berlin.
Leonard Bernstein: Chichester Psalms Symphony No's 1 & 2
1977