Joshua Desroches

Born under unusual circumstances, Benjamin Button springs into being as an elderly man in a New Orleans nursing home and ages in reverse. Twelve years after his birth, he meets Daisy, a child who flits in and out of his life as she grows up to be a dancer. Though he has all sorts of unusual adventures over the course of his life, it is his relationship with Daisy, and the hope that they will come together at the right time, that drives Benjamin forward.

On a desperate quest to find her missing brother, a woman travels alongside a mysterious stranger with no memory on the way to visit a shadowy figure.

Barricaded in a farmhouse, a woman and a collegian must contend with flesh-eating zombies and a malevolent mortician.

On a desperate quest to find her missing brother, Marianna reluctantly picks up a mysterious stranger with no memory, John. Together they must get to a rendezvous point on the west coast where a shadowy figure awaits them. Unbeknownst to them a black-ops splinter cell team is tracking John. They send in special agent Thomas Dockins, a highly trained and brainwashed military assassin, to kill John and the woman he is traveling with. As they struggle for their lives, John and Marianna discover that they are caught in the middle of a sinister extra-terrestrial plot.

VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.