H.C. Artmann

When Ambrosia, the pastor's cook, leaves the village for a while to give birth to the child she is expecting from the pastor in a secluded place, the buxom and love-struck Irma takes her place in the parish. And soon she too is looking forward to the joys of motherhood. But who is the father of the child? The curate she seduced, or even the pastor himself...?

A politically naive Viennese butcher manages to survive the Nazi occupation of Austria and the second world war.

An entrepreneur of social prestige gets intimate with the housekeeper, while his wife has a lover who is 20 years younger than her, whom she eventually loses to her nymphomaniac daughter.

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer

H. C. Artmann transforms himself into some of the characters he invented, who bring his texts to adventurous life.

A politically naive Viennese butcher manages to survive the Nazi occupation of Austria and the second world war.

An entrepreneur of social prestige gets intimate with the housekeeper, while his wife has a lover who is 20 years younger than her, whom she eventually loses to her nymphomaniac daughter.