Sheila Kelley

After her adoptive mother dies, Hortense, a successful black optometrist, seeks out her birth mother. She's shocked when her research leads her to Cynthia, a working class white woman.

Winnie is a mentally handicapped woman who lives with her elderly mother (Cora) and aunt (Ida). They visit the cemetery where Winnie’s father is buried. Also in the cemetery are two art students, one of whom (Liz) asks if she can take a photograph of the three women. She takes it while they are not prepared, making them look ridiculous (Cora is putting her make-up on, Winnie is staring at the camera with her mouth open). Cora is angry, and Liz takes another of them properly posed. But she enters the first photograph for a competition, where it wins a prize

In a staid English seaside town after the Second World War, young Lynda grows up with her widowed father and younger sister. Rebellious Lynda has been swearing constantly from an early age. At sixteen, she becomes more exhibitionist and seeks out sexual encounters challenging the prevailing lower-middle class attitudes to sex.

Writer and Director Mike Leigh discusses the techniques used to create his plays.

Alan Bennett's play about the mid-life crisis of an estate agent.

Three postal workers and their dysfunctional families interact over cups of tea and Sunday dinner.

A middle-class couple go camping in Dorset, but peace and quiet elude them.

Francis and his wife, Elaine, are proprietors of a struggling window-covering business, agree to install curtains in an exclusive club patronized by Ron, a wealthy friend of theirs. After completing the job, the shop owner has great difficulty collecting payment for the job. His "friend" becomes scarce and Francis finds he has no legal foot to stand on since there is no written record of the informal transaction. With the couple's business floundering due to mounting debts, and their former friend Ron's crass attitude towards their predicament, anger and frustration reach the boiling point.

Mike and his ex-wife have an 8-year-old daughter, Hazel. She calls her new mother's boyfriend 'daddy', which Mike goes along with until his access to Hazel is limited.

The play tells the story of Christine Potts, who undergoes an unexpected mastectomy, and struggles to cope with the aftermath and the deficiencies of her post-operative care.

A new flat and a new friend. For Emmie life would be lovely-but her daughter hardly visits any more and won't even let Mum make those wonderful bouffant frocks for her ballroom dancing ...