Eduardo Chagas

Mario Kubo is a quiet man. For many, he seems lost. Disconnected from the world around him, he is not doing well. On the days where we follow his life, he seems to undergo a fundamental transformation. Mario receives a letter from Japan with undecipherable content, since he doesn’t speak Japanese. Alone, he begins a journey after something that he is not quite sure what it is.

No synopsis available yet.

In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

Miguel is a federal agent, highly trained and skilled in weapons. After experiencing trauma in his personal life, he sets out on a journey of revenge, assuming the identity of a masked vigilante. The Awakener decides to do justice with his own hands by exterminating corrupt politicians.

Released from the Mental Health Wing of São Paulo State Penitentiary after forty years, the sadistic undertaker Zé do Caixão is back on the streets, haunted by ghostly visions and spirits of past victims but still set upon the goal that sent him to prison in the first place: finding a woman who can give him the perfect child.

In a dark room, fantastic beings appear like specters from an old cinema. Frightened, the insomniac is the only one to witness the cyclical nocturnal spectacle.

Diogo, a cowboy, meets Rodrigo, a boy who dreams of becoming a cattle herder, when he drives a large herd of cattle to the Ouro Fino farm. They become friends and witness the injustices that occur in the region due to the greed of Major Batista, the owner of the property where they take the cattle.

Querô is an orphan teenager, living alone near the docks in Santos, Brazil. His mother, a prostitute, died when he was a baby, and he was raised in the bordello where she worked. Believing he rules his own destiny, he refuses to compromise with anyone else, the corrupt policemen always chasing him, the oppressive discipline in the juvenile institution Febem, or the drug dealers who try to lure him. But this independence has a price.

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15 directors telling 15 tales about São Paulo.

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A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

No synopsis available yet.