Acting
Louise Beavers
Born 1902-03-08 · Cincinnati, Ohio, USA
From Wikipedia, the free encyclopedia Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
Acting credits
6.9Broadway director Julian Marsh needs just one more hit show so he can retire and recover his health. It looks like he just may pull it off until temperamental star Dorthy Brock breaks her ankle on the eve of the show's premiere and has to be replaced by her understudy Peggy.
42nd Street
1933
6.8While on trial for her life, a young woman recalls her tough upbringing and her involvement with the men who brought her to this current state of affairs.
Midnight Mary
1933
5.3An aspiring playwright finds himself an overnight Broadway success.
No Time for Comedy
1940
6.7The "sugar daddy" of a Broadway star hires a bodyguard to protect her from thieves out to steal the jewels he's given her and also from the attentions of other men, most notably the producer of the show in which she's starring. However, soon the bodyguard and the star begin to become attracted to each other.
Her Bodyguard
1933
6.3Little Delft, Michigan follows the customs of old-world Holland and is known for its Tulip Festival. The owner of the hotel insists that his seven daughters marry in order, from eldest to youngest.
Seven Sweethearts
1942
7.0Nancy Fallon gets her teenage daughter back from her ex-husband when she remarries and must win her love.
Teenage Rebel
1956
6.6After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
Bullets or Ballots
1936
7.1Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.
Holiday Inn
1942
7.5An elderly couple are forced to separate themselves from each other after their children refuse to take both into one house.
Make Way for Tomorrow
1937
7.0An advertising executive dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems.
Mr. Blandings Builds His Dream House
1948
7.0An unsophisticated young woman from the Mississippi swamps falls in love with an unconventional southern gentleman.
Tammy and the Bachelor
1957
10.0Comedy about newlyweds wondering if their marriage was a mistake.
I Want a Divorce
1940
6.4The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.
Reap the Wild Wind
1942
6.0A wisecracking New York reporter intrudes on a research scientist's quest to unmask The Moon Killer.
Doctor X
1932
6.3Sam Clayton has a good heart and likes to help out people in need. In fact, he likes to help them out so much that he often finds himself broke and unable to help his own family buy the things they need--like a house.
Good Sam
1948
5.9After her family's mansion is burned down by Yankee soldiers for hiding the rebel leader Captain Sam Starr Belle Shirley vows to take revenge. Breaking Starr out of prison, she joins his small guerrilla group for a series of raids on banks and railroads, carpetbaggers and enemy troops. Belle's bravado during the attacks earns her a reputation among the locals as well as the love of Starr himself. The pair get married, but their relationship starts to break down when Sam Starr lets a couple of psychotic rebels into the gang, leaving Belle to wonder if he really cares about the Southern cause.
Belle Starr
1941
6.5Party Husband finds ex-Ziegfield Girl Dorothy playing the better half of a thoroughly “modern marriage” whose openness threatens to bring about its premature end. Fellow Ziegfield alum Mary Doran plays the coquette whose intended conquest of the free-thinking hubby (James Rennie) starts to throw the couple’s “understanding” awry.
Party Husband
1931
9.0Young America is a 1942 American drama film directed by Louis King and written by Samuel G. Engel. The film stars Jane Withers, Jane Darwell, Lynne Roberts, Robert Cornell, William Tracy and Roman Bohnen. The film was released on February 6, 1942, by 20th Century Fox.
Young America
1942
6.1A couple struggle to find happiness after a whirlwind courtship.
Made for Each Other
1939
6.2Salomy Jane, a California mountain girl, is sought after by a number of men in the nearby small town of Redwood City. She is affected when two criminals are pursued by authorities: one for killing a hypocritical mayoral candidate, the other for robbing the stagecoach.
Wild Girl
1932
7.5Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby. Finally they acquiring a girl in a somewhat back alley manner.
My Blue Heaven
1950
5.1The scheme of a pair of married con artists goes awry when their victim dies, and they are both caught and imprisoned. When she gets out of prison, she tries to put her life back together.
Pick-up
1933
8.0A female warden takes over at a state reform school and attempts to bring about needed changes. Restored in 2020 by the Academy Film Archive with additional funding from the National Endowment for the Arts from a 16mm print donated by Giancarlo Esposito and Laurence Fishburne.
Reform School
1939
7.0A struggling widow and her daughter take in a black housekeeper and her fair-skinned daughter. The two women start a successful business but face familial, identity, and racial issues along the way.
Imitation of Life
1934