Ola Saltin

A stranger arrives in Copenhagen from a plane from Romania. Shortly after the power is lost in the whole city.

When an American tourist is found murdered after visiting an internationally renowned photographer, her husband believes she was having an affair. Kurt Wallander decides to investigate.

In the third Wallander film, starring Krister Henriksson, a bestial double murder is investigated in which the victims have been subjected to torture and where many point to the act of revenge. Henning Mankell's sharp-eyed commissioner has the assistance of daughter Linda, newly graduated police officer, and criminal inspector Stefan Lindman.

What happens when a female Polish capitalist meets two lazy Danish welfare recipients? On a job activation trip to Poland, Jens meets a Polish girl named Renata. One day, there is a knock on Jens' door in Copenhagen. Outside stands Renata with a large suitcase. She moves in, and the two begin a relationship. However, Renata quickly discovers that Jens does not do much other than fish, drink beer, and dream of his breakthrough—a safe and quiet life paid for by the state. But Renata has other plans.

In the old days, things were different. Art, too. It assembled and passed on human experience and knowledge. But in today's Denmark, something else is wanted from art. It has to experiment and break new ground. It is almost a political requirement. The more conventional the politics, the harsher the politically correct requirements for the artist. Sliced up, rotting pigs are not enough anymore! Art must move on. But how can the poor artist surpass his predecessors and become a success?

A stranger arrives in Copenhagen from a plane from Romania. Shortly after the power is lost in the whole city.

When an American tourist is found murdered after visiting an internationally renowned photographer, her husband believes she was having an affair. Kurt Wallander decides to investigate.

In the third Wallander film, starring Krister Henriksson, a bestial double murder is investigated in which the victims have been subjected to torture and where many point to the act of revenge. Henning Mankell's sharp-eyed commissioner has the assistance of daughter Linda, newly graduated police officer, and criminal inspector Stefan Lindman.

What happens when a female Polish capitalist meets two lazy Danish welfare recipients? On a job activation trip to Poland, Jens meets a Polish girl named Renata. One day, there is a knock on Jens' door in Copenhagen. Outside stands Renata with a large suitcase. She moves in, and the two begin a relationship. However, Renata quickly discovers that Jens does not do much other than fish, drink beer, and dream of his breakthrough—a safe and quiet life paid for by the state. But Renata has other plans.

In the old days, things were different. Art, too. It assembled and passed on human experience and knowledge. But in today's Denmark, something else is wanted from art. It has to experiment and break new ground. It is almost a political requirement. The more conventional the politics, the harsher the politically correct requirements for the artist. Sliced up, rotting pigs are not enough anymore! Art must move on. But how can the poor artist surpass his predecessors and become a success?