Luca Lionello

A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.

In 1957 Trieste, a few months before the general ban on brothels, inexperienced country girl Mimma becomes Paprika to finance her useless boyfriend as a prostitute. Amid the hustle and bustle of Rome, Paprika drifts from one brothel to another as she learns the ropes and works her way up one client at a time. However, as Paprika embarks on a stormy journey of self-discovery and sexual liberation, the sense that something is missing haunts her. Is Paprika meant to experience a passionate romance and solve the great mystery of true love?

The filming of a movie about Jesus’ death deeply affects three people — an egotistical director who cast himself as Christ, the actress playing Mary Magdalene who cannot bring herself to leave Bethlehem and a TV journalist whose spiritual doubts start to consume him.

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

Eighteen-year-old Matilde lives with her grandmother and her mother Laura, a woman struggling with debt and failures. Completely disconnected from reality and attached to her online avatar, Matilde has found her own way to make money: stripping on webcam. One day, Laura is forced to reveal her debts to her daughter, who plots an ideal solution to their troubles, unexpectedly involving Ernesto, a wealthy bourgeois obsessed with sex and possessions.

No synopsis available yet.

Dive into the Eternal City – see Rome like you’ve never seen it before. Storefront robberies, bizarre murders, career dreamers, and cameos from Italy's foremost directors and actors feature in this star-studded omnibus tale about life and love.

A man, after many years, returns to his home village following the death of his father, a beloved local stationmaster.

A man and a woman meet at a party and decide to retire to a nearby forest. After the first difficulties of the man to get an erection, the woman leaves. He follows her but finds a strange creature with a monstrous appearance.

This film depicts the life of Saint John Bosco, who dedicated his life to rescuing abandoned and exploited street children in Turin.

No synopsis available yet.

Pietro and Eleonora, both avid gardeners, are strangers who only meet because their two terraces are close to each other. The relationship that grows between them helps them to alleviate the pain each feels over something secret and very serious, a pain both try to hide from themselves and those around them. In this limbo they inhabit, the two make a stab at finding happiness together, until their paths diverge once more.

The film describes how Albanian graves were opened by Greeks and the contents moved and re-identified as being the bones of Greek soldiers from World War II.

Army colonel Gabriele Moresco and twelve of his soldiers occupy a hospital in Sicily, Italy, taking every patient and doctor as hostages and giving an ultimatum to the government: if they won't admit their role in hiding proof of the use of depleted uranium in the Balkan Wars and the subsequent countless cases of cancer among Italian soldiers in 56 hours, all the hostages will be killed. Negotiator Paolo Manfredi is called to save the hostages, not knowing that his wife and daughter are among them.

Against the fascinating backdrop of an ever marvellous Havana, Vittorio Arditi De Bellis, an aging Italian orchestra conductor once celebrated for specialising in Rossini's compositions, has fallen on hard times. However, some remember he delivered some of the best renditions of the Rossini-Kyrie, and he soon finds himself reluctantly on the way to Havana, Cuba, to conduct the Children's Cuban National Choir. Starting on the wrong foot he quickly finds himself on the verge of losing everything. Rossini's Cuban style and the choir's children are also protagonists in this heart-warming and nostalgic tale of living, loving, growing old and being unexpectedly surprised when he meets the Son he never knew he fathered years ago - Vittorio's past adds new purpose to his present, allowing an otherwise quirky old man to feel his passion and taste the 'spice of life' once again.

In the city of Rome, Mirko Reggiani is not only a university student who can't happily graduate from the university but also an amateur and only one detective of MARLOV & CO. One day he meets a beautiful fair lady in a department store and falls immediately in love with her, but his best female friend hinders him. Soon, in a rather strange way, Mirko meets the lady, who is actually an unhappy housewife named Vera Grimaldi, again. Unfortunately it is not a happy reunion; both Mirko and Vera are deeply and almost independently trapped in a twisted web of vicious crime...

What is the English language plot outline for K. Il bandito (2008)?

Emma is a young woman who discovers that the man who raised her is not her biological father. Her search for the truth becomes a transformative journey across Morocco; a quest for identity, freedom, family and self-discovery.

August 1991. As post-Communist Albania starts falling apart, Giorgio seeks refuge in Italy.

Rome, 1990s. Gian Luigi, an unscrupulous financial administrator, finds himself embroiled in a journalistic investigation that aims to unmask shady monetary dealings. The recklessness of the fixer has the hours numbered.

The chief commissioner of the homicide squad, with an anti-globalization activist for a son, investigates the suicide of a trade unionist that may be connected to an unsolved political murder of the '70s.

Iuri and Stella are two brothers with a strange relationship.