Im Kwon-taek

After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.

Young is a nameless actor who dreams of becoming a big movie star. Then one day, he makes his breakthrough with a film and becomes a star overnight.

Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.

Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews to five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

KIM Dong-ho is the founder of the Busan International Film Festival and one of the key figures in the rise of Korean cinema. Starting his career as a civil servant, he dedicated his whole life to the sheer passion for films. With his deep commitment and instinctive creativity, he will keep “walking in the movies.”

A personal consideration of the Korean cinema by director Jang Sun-Woo, looking at it’s history of outside influence and censorship.

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds? A satire for those who make, watch, and criticize films is about to begin.

IM Kwon-taek is a Korean film-maker. He was born in 1934 when his country was under Japanese occupation. When Korean War was over his parents became North Korean partisan, and he ran away from home. He’s made 101 films since he made his debut in 1962 with Farewell Doman River. He tasted the glory at Cannes Int’l Film Festival with Chiwhasun. However making the 102nd film seems harder than ever to this 80-year-old director. His 2 projects have been suspended. He still can’t find chance to make his 102nd film, but spends daily routine free from film-making. This is a recording of years that the film-maker spends without making a film.

A partially restored version of Director Im Kwon-taek's Bhiksuni, which was halted in 1984 due to opposition from the Buddhist community. It contains the agony of a woman who has converted to Buddhism. The documentary, which is shown together with the partially restored version, contains the story of the production of Bhiksuni told by actress Kim Ji-mi, director Im Kwon-taek, cinematographer Jung Il-sung, and writer Song Gil-han.

Jang Seung-eop, also known as "Chihwaseon," drinks and paints all day. Through Mae-hyang, he learns the meaning of fate, sees art beyond even the smallest things, and sets out for the path he seeks.

Jang Seung-eop, also known as "Chihwaseon," drinks and paints all day. Through Mae-hyang, he learns the meaning of fate, sees art beyond even the smallest things, and sets out for the path he seeks.

Once at a pagoda Mongryong Lee, a scion of a well-to-do family, meets Chunhyang, the young daughter of a courtesan and an aristocrat. Despite her low social standing she is smart and well-educated. The young people fall in love and think about marriage so that they could always be together. Mongryong is soon to go to the capital to take the state civil service exam. They part and in Chunhyang's life there appears the greedy and lustful Byun Hak-do, who tries to seduce her.

A barren noblewoman encourages her husband to take a young peasant as a surrogate to secure the male line.

A historical drama about the life of Prince Yeonsan of Joseon,.

A young woman is tricked into prostitution, thinking she is going to sell beverages at a village store. She soon learns about the dark world of Korea's red-light districts, where their pimps and society exploit her.

A young woman is tricked into prostitution, thinking she is going to sell beverages at a village store. She soon learns about the dark world of Korea's red-light districts, where their pimps and society exploit her.

In Japanese-occupied South Korea, a young man, newly-released from prison, is accepted into a gang for his fighting skills and quickly rises to the top. Based on the life of South Korean mobster and politician Kim Du-han.

A sprawling story of one man's tumultuous life within the context of the South Korean political situation during the second half of the 20th century.

A sprawling story of one man's tumultuous life within the context of the South Korean political situation during the second half of the 20th century.

A man married to a Christian, but from a shamanistic upbringing, attempts to come to terms with the spirit of his mother who visits him in dreams.

The 1930s. Wishing to pass down his knowledge, the father teaches his children to sing Pansori. The elder daughter and the younger son become professional singers but time has changed and people are no longer interested in folk singing. The younger boy gives up on his studies and runs away from home. Fearful that the daughter might do the same, the father blinds her. The blind girl continues to practice with great diligence and achieves perfection in this art. Years pass, the brother is roaming the world in search of his sister and eventually finds her. All night long they sing together sharing their memories.

No synopsis available yet.

A middle-aged man who has recently lost his wife to cancer indulges in fantasies about a young woman at his work, in the new film from Korean master Im Kwon-taek.

Upon being released from prison, Kim Du-han begins rebuilding his street gang in the face of Hayashi's Yakuzas and increasing Japanese influence.

A story that follows the lives and interactions of two Buddhist monks living in South Korea.

Hye-seon grew up in an orphanage with Myeong-gu. They marry when they get older but strain on there relationship tears them apart. Pregnant and alone, Hye-aeon wonders where to turn.

While awaiting the publication of his fairytale about his dementia-stricken octogenarian mother, an acclaimed South Korean novelist receives news that she has passed away, so he leaves the city and returns to her village to take part in the funeral.

Based on the great river story, The Taebaek Mountains chronicles the lasting generational conflict between proprietors and peasants in South Korea.

Schoolgirl Sun Nyog suffers from pain and hardships, life and the world around her confuse the girl. Her father, a Buddhist monk, left them, the mother has totally neglected her daughter while her lover harasses the girl. One winter day Sun Nyog goes to the temple. She decides to study Buddhism and is ordained as a nun. In 1989 the film participated in the MIFF competition and won the Bronze St. George for Best Actress.

No synopsis available yet.

No synopsis available yet.

In mid-19th Century Korea, the people of Joseon Dynasty embrace the new religion Donghak. After the founder is executed, Choi Si-hyeong becomes Donghak’s second-generation leader and successfully propagates the religion, but in doing so becomes the object of oppression by the royal court.

Trainer Meng Doo-ho spots Young-chul in a bar fight and decides to turn him into a boxing champion.