Edgar Soberón Torchia

Three stories about men and women in terminal situations.

Anhology of surprises and a couple of curiosities made by the brothers Adrián and Ramiro García Bogliano in Cuba, Argentina and Spain.

In a town plagued by the murders of the "Killer of the Seven Leathers", a prostitute helps a religious young man when he's attacked by hoodlums. He takes her to his ragged shack filled with Catholic objects, where she tries to seduce him.

A young drug dealer falls in love while facing disruption among the men in his gang, and being offered a career as a Reggaetón singer.

A young, attractive widow is protected from her vicious mother-in-law, by a male relative who practices Satanism, and lusts after the old woman's sexy adolescent granddaughter.

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.

This is the story of Yuma a strong-willed and rebellious girl from the poor neighborhoods of Managua who dreams of being a boxer.

Film by Luis Franco Brantley and Edgar Soberón Torchia.

Film by Luis Franco Brantley and Edgar Soberón Torchia.

A bus driver dreams of his ideal woman, who materializes with the face of the mermaid painted on his bus. Video transfer of a slide projection by Sandra Eleta, composed of images from nine projectors.

Didio Muñoz reflects on the night of the US invasion in Panamá on December 20, 1989, when he was working as houseboy for one of Manuel Antonio Noriega's lovers, and improvises an absurdist pantomime as the dictator, surrounded by his wife, Panamanian secular and religious authorities and a mafioso, while real images of the US Army and local militia receive an ironic musical treatment.

Didio Muñoz reflects on the night of the US invasion in Panamá on December 20, 1989, when he was working as houseboy for one of Manuel Antonio Noriega's lovers, and improvises an absurdist pantomime as the dictator, surrounded by his wife, Panamanian secular and religious authorities and a mafioso, while real images of the US Army and local militia receive an ironic musical treatment.