Marc Meyer

At eleven years old, Billie is well on her way to following in her mother's footsteps, who explored space as an astronaut.

Oliver doesn’t have a family so he steals one.

An adventurous, mystical story about Valdez de Corazón, Prince of San Vanidad, who is not only a very powerful man, but also a very beautiful one. To ensure that neither of these things change, he marries the sorceress Alyssa de Espella, bearer of the secret of eternal youth. In return, he promises her eternal fidelity at the wedding. As he is unable to keep his promise, he banishes his wife to the city walls. Alyssa, furious with rage, swears revenge and turns into a zombie every night to pursue Valdez mercilessly. On his escape, he discovers his true face and one last chance to break the deadly curse.

A couple on a boat. Their love is burnt out. But how to let go when souls are entangled?

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

No synopsis available yet.

At eleven years old, Billie is well on her way to following in her mother's footsteps, who explored space as an astronaut.

Oliver doesn’t have a family so he steals one.

Oliver doesn’t have a family so he steals one.

Oliver doesn’t have a family so he steals one.

An adventurous, mystical story about Valdez de Corazón, Prince of San Vanidad, who is not only a very powerful man, but also a very beautiful one. To ensure that neither of these things change, he marries the sorceress Alyssa de Espella, bearer of the secret of eternal youth. In return, he promises her eternal fidelity at the wedding. As he is unable to keep his promise, he banishes his wife to the city walls. Alyssa, furious with rage, swears revenge and turns into a zombie every night to pursue Valdez mercilessly. On his escape, he discovers his true face and one last chance to break the deadly curse.

A couple on a boat. Their love is burnt out. But how to let go when souls are entangled?

A couple on a boat. Their love is burnt out. But how to let go when souls are entangled?

A couple on a boat. Their love is burnt out. But how to let go when souls are entangled?

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

No synopsis available yet.

Documentary film.