César Charlone

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.

No synopsis available yet.

In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.

At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!

The appropriation of boys and girls and the desperate search by their relatives and different organizations of civil society during the Uruguayan dictatorship, and in the broader framework of the Condor Plan. This documentary collects three stories about children kidnapped during the Uruguayan dictatorship and travels through Chile, Brazil and Uruguay showing the history of these children. At the time it was presented as the production of an anonymous group. It was only later learned that César Charlone was behind the project.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.

In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.

No synopsis available yet.

In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.

In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.

In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.

The appropriation of boys and girls and the desperate search by their relatives and different organizations of civil society during the Uruguayan dictatorship, and in the broader framework of the Condor Plan. This documentary collects three stories about children kidnapped during the Uruguayan dictatorship and travels through Chile, Brazil and Uruguay showing the history of these children. At the time it was presented as the production of an anonymous group. It was only later learned that César Charlone was behind the project.