Vesna Trivalić

Sultana and the bootmaker's wife Pela looks very much like each other, with replacement clothing and residence, Sultana becomes Pela and Pela becomes Sultana. The consequence of disguise is that the Sultana are undergoing torture from Pela's husband which changes her nature, which makes positive impact on her environment. The script abounds with musical numbers that contribute to the atmosphere, establish era and the place of action, and in this play bring vaudeville jollity.

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

An impoverished Russian aristocrat spends his days in a fashionable German town waiting for news from Russia about the death of his rich grandmother, so that he can repay his debts to a troubled French adventurer and marry his troubled cousin. His stepdaughter Polina also expects the inheritance.

At the very entrance of Boka Kotorska there is fortress named Fortica, which served as border control or quarantine in the past when ships used to dock in the bay. The most common goods taxed was salt. Its geographical position was significant during 1920s as well, while some speculate that the main hero of this story, Perisa, accumulated his fortune exactly in this way...

A family gathers in their home to bury their grandmother, but the situation takes a surreal turn when she suddenly comes back to life.

Miljenko, a successful Croatian businessman, receives the news that his company has just filed for bankruptcy. Things seem to be looking up, however, when his daughter announces not only her engagement, but also her pregnancy and upcoming nuptials. The only caveat? The love of her life is none other than the son of the Serbian prime minister.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Anica (60) resists her ongoing chemotherapy while perceiving her daughter’s care as an assault on her dignity. Vlatko (60) is an alcoholic and a loner, completely written off by his work colleagues. Filled with mutual contempt, Anica and Vlatko separated long ago and seemingly no longer communicate. On their drawn-out paths toward oblivion, they search for an ally who will hear their desperate cry for the will to live.

In a way of protesting for inhuman living conditions and the shortage of medications caused by the disintegration of Yugoslavia and its sanctions, a doctor in a hospital decides to close his clinic for mental illness. His wish is to return the patients to their homes or give them to someone who is willing to accept them temporarily.

Following the comical adventures of the tenants in a seemingly ordinary building in Belgrade, situation culminates thanks to bad pipes and the mysterious underground waters to a temptation that, in the end, catches them all unprepared.

Set during the Bosnian war in the early 1990s, Luka is a mild-mannered railway clerk whose life is turned upside down, not just by the outbreak of the war, but when his wife runs off with a local musician. Then Luka's son is conscripted and eventually captured in the fighting. To recover his son, Luka is commanded to guard a pretty young Muslim nurse who will be used in a hostage swapping operation.

Overcome by an irrational rage, a 17 year-old hatchet man kidnaps his boss who had managed to cover up his true identity and become part of the establishment. The Kid takes this one time hero of his to a hideout in a huge, deserted steel mill where the two experience a kind of enlightenment after some twenty hours of infernal games and agony.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

This story about two maternal half-brothers, a Croat and a Serb. Although they never met, and both lose their loved ones in ethnic clashes, there is a bond between them. Filmed in 1988, it prophetically forsees the war that would engulf former Yugoslavia three years later.

Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by them in school and nicknamed 'Sissy') became a 'guy in suit', boss of his own club and recording studio.

A slang-filled urban comedy involving a group of youths who call their friends over the telephone to chit-chat and spread gossip.

Short student film.

Three years after the events of the first film, the Dimitrijević and Lončarić families have, once again, fallen on hard times. Miljenko finds himself guilty of financial fraud and seeks refuge, along with his family, in an isolated mountain town in Herzegovina. At the same time, Vuk's political career is swiftly heading south, as he once again finds himself at the mercy of the ruthless oposition. Too hotheaded to think things through, both parties decide that the only way to fix things might just be to organize yet another wedding.

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

This TV drama is the graduate work of a screenwriter which deals with the maturation process of three characters of different age: a 12-year-old girl, a 30-year-old man and the 50-year old girl's granddad.

The story of a woman who firmly believes that her newborn baby was stolen from her more than 20 years ago, while she was told that her baby died.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

At his school, 10-year-old Zoran wins the competition for the best essay about Tito. His reward is participation in the march "Revolutionary trails" to Tito's hometown of Kumrovec.