Julien Sibony

In a world where digital technology has invaded our lives, some of us end up cracking. Addict or technophobe, with family or at school, at work or in love, SELFIE tells the comic and wild destinies of Homo Numericus on the verge of a nervous breakdown.

In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same lives. Condemned to secrecy, these masters of manipulation follow the same methods. Alex and Al Barad are two of them. The former is the head of the D.G.S.E.'s (Direction Générale de la Sécurité Extérieure, the French equivalent of the CIA or the MI6) counter-terrorism unit while the latter reigns over a terrorist network, and both fight using the most ruthless of weapons: human beings.

In a world where digital technology has invaded our lives, some of us end up cracking. Addict or technophobe, with family or at school, at work or in love, SELFIE tells the comic and wild destinies of Homo Numericus on the verge of a nervous breakdown.

In a world where digital technology has invaded our lives, some of us end up cracking. Addict or technophobe, with family or at school, at work or in love, SELFIE tells the comic and wild destinies of Homo Numericus on the verge of a nervous breakdown.

In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same lives. Condemned to secrecy, these masters of manipulation follow the same methods. Alex and Al Barad are two of them. The former is the head of the D.G.S.E.'s (Direction Générale de la Sécurité Extérieure, the French equivalent of the CIA or the MI6) counter-terrorism unit while the latter reigns over a terrorist network, and both fight using the most ruthless of weapons: human beings.