Francesco Benigno

7 segments about life in 1990s Italy: two MPs from the opposite sides of the political spectrum spend the night together; during their honeymoon, a woman cheats on her husband with her favorite soap opera star; a married man pretends to be ill to seduce his younger nurse; a family discovers that their son's beautiful fiancée is transgender; an unsatisfied single woman is duped by her celebrity crush for Kevin Costner; two best friends want to have fun; a couple on a tropical holiday is fascinated by their indigenous masseuse.

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

Marco, a teacher from Milan, relocates to Palermo and takes a temporary job teaching in a juvenile detention centre while he waits for a high school teaching position. He tries to understand and motivate his handful of students, encouraging them to stand up for their rights, finding out about their histories: Natale, in for murder and enamored with the Mafia; Pietro, who can't seem to stay out of jail; Claudio, barely 14 and learning to stand up for himself; and Mery, a trans sex worker, who was arrested after a fight with a trick who didn't want to pay her, and is now stuck in a male prison.

A small Sicilian town elects a new, honest major but quickly learns that playing by the rules is not as easy as it seems.

A mob accountant accepts to be witness for the prosecution at a trial involving Mafia higher-ups. Seven cops are tasked with escorting him and his family alive from Sicily to the courtroom in the North, but it won't be easy.

A young African salesman is trying to do business in a marketplace where a policeman, disguised as a cigarette salesman, is trying to foil a robbery in a shop.

This coarse bedroom farce takes place at the St. Moritz ski resort over a Christmas vacation. Among the couples whose lives intersect are a widowed artist honeymooning with his second wife, a gay man traveling with his son and his lover (and hiding each from the other), a snobbish couple from Milan who have been forced to share a suite with a pair of crass Romans, etc.

Stefano is caught with a bag of cocaine in his pocket and placed under house arrest. Yet the boy knows full well that he has never used drugs. There is someone who wants to frame him, but there are also drug traffickers on his trail, convinced that Stefano has made a load of white powder disappear.

No synopsis available yet.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

No synopsis available yet.

The fake election campaign of Italian journalist Ismaele La Vardera—a mayoral candidate in Palermo in 2017 backed by Matteo Salvini—as captured by hidden cameras. La Vardera meets with politicians, power brokers, and other figures from the Sicilian political landscape. A web of personal interests converges around the young journalist.

Scandalously famous collections of short Italian comedies of the 90s! All that was "fun" in those years in Italy - all here! The sea of black humor on all issues - sex, politics, mafia, crime, TV...

Second scandalously famous collections of short Italian comedies of the 90s! All that was "fun" in those years in Italy - all here! The sea of black humor on all issues - sex, politics, mafia, crime, TV...

Francesco is a street boy who lives by his wits in Palermo. One day he accompanies a friend to the casting of an important film that will be shot in the city and so, almost by chance, he too finds himself taking part in the selections. In this circumstance, Francesco finds himself having to retrace the salient events of his life that made him the boy he is. The early loss of innocence due to a difficult childhood, marked by the drama of his mother's premature death and the harassment of an excessively authoritarian father, plunged him into the degraded context of street life. The subsequent encounters dragged him towards an impetuous and unruly adolescence, which led him first under the protection of social services and then to correctional institutions. Thanks to cinema, Francesco finds himself faced with the opportunity to completely change his life. Will he be able to seize it and redeem himself from an inexorable destiny, which seems to have already been written?

No synopsis available yet.

No synopsis available yet.

Alfonso decides to rob a villa on the outskirts of Palermo believing it to be empty, but in the meantime the owner, Tony, who had an appointment with his lover, Margherita, bursts in and attacks him. Tony, councilor and doctor, wants to avoid the scandal and decides to treat Alfonso. Something clicks in Margherita that will lead her to see both of them, until she is forced to choose.

No synopsis available yet.

No synopsis available yet.

Francesco is a street boy who lives by his wits in Palermo. One day he accompanies a friend to the casting of an important film that will be shot in the city and so, almost by chance, he too finds himself taking part in the selections. In this circumstance, Francesco finds himself having to retrace the salient events of his life that made him the boy he is. The early loss of innocence due to a difficult childhood, marked by the drama of his mother's premature death and the harassment of an excessively authoritarian father, plunged him into the degraded context of street life. The subsequent encounters dragged him towards an impetuous and unruly adolescence, which led him first under the protection of social services and then to correctional institutions. Thanks to cinema, Francesco finds himself faced with the opportunity to completely change his life. Will he be able to seize it and redeem himself from an inexorable destiny, which seems to have already been written?

Francesco is a street boy who lives by his wits in Palermo. One day he accompanies a friend to the casting of an important film that will be shot in the city and so, almost by chance, he too finds himself taking part in the selections. In this circumstance, Francesco finds himself having to retrace the salient events of his life that made him the boy he is. The early loss of innocence due to a difficult childhood, marked by the drama of his mother's premature death and the harassment of an excessively authoritarian father, plunged him into the degraded context of street life. The subsequent encounters dragged him towards an impetuous and unruly adolescence, which led him first under the protection of social services and then to correctional institutions. Thanks to cinema, Francesco finds himself faced with the opportunity to completely change his life. Will he be able to seize it and redeem himself from an inexorable destiny, which seems to have already been written?

Francesco is a street boy who lives by his wits in Palermo. One day he accompanies a friend to the casting of an important film that will be shot in the city and so, almost by chance, he too finds himself taking part in the selections. In this circumstance, Francesco finds himself having to retrace the salient events of his life that made him the boy he is. The early loss of innocence due to a difficult childhood, marked by the drama of his mother's premature death and the harassment of an excessively authoritarian father, plunged him into the degraded context of street life. The subsequent encounters dragged him towards an impetuous and unruly adolescence, which led him first under the protection of social services and then to correctional institutions. Thanks to cinema, Francesco finds himself faced with the opportunity to completely change his life. Will he be able to seize it and redeem himself from an inexorable destiny, which seems to have already been written?