Juraj Herz

No synopsis available yet.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

A story set in a small village in Sudetenland between 1937 and 1945. "Habermann" is based on true events.

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

No synopsis available yet.

No synopsis available yet.

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

A story set in a small village in Sudetenland between 1937 and 1945. "Habermann" is based on true events.

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.

Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.

A doctor is shocked when his beloved colleague Mima signs a contract with foreign car manufacturer Ferat, in order to work for them as a rally-driver. A scientist convinces him that human blood is being used as fuel for Mima's ever winning car, but does that really work?

A doctor is shocked when his beloved colleague Mima signs a contract with foreign car manufacturer Ferat, in order to work for them as a rally-driver. A scientist convinces him that human blood is being used as fuel for Mima's ever winning car, but does that really work?

Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.

Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.

The Emperor of a European country demands new clothes to wear every day, in fact sometimes several times a day. He imposes a heavy tax on the poor citizens to pay for his vanity. An itinerant man and boy come to the capital city and see the injustice, and make friends, but they soon have to flee. They return disguised as Arab tailors, and offer to make the Emperor a new suit of clothes. But only the wise will be able to see it; fools, or those unfit for their public office, will not see anything. The Emperor orders the suit made, and much money is needed to purchase the raw materials. Eventually the suit is ready, and the Emperor and his officials pretend that they can see a wonderful outfit; will anyone prick the bubble of the illusion?

After their young daughter dies suddenly from a viral infection, Marie and Petr struggle to cope with the silence and emptiness left in their apartment. The couple drifts apart as Marie sinks into deep isolation while Petr attempts to distract himself through work and social interactions. Eventually, they decide to try for another child in an effort to move forward and rebuild their fractured relationship.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

The fifteen year old Maruska starts as a new staff in the porcelain warehouse. For the boss Svetla it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím, she insists on a hand over inventory.

Impressionistic film based on a Maupassant story about five friends who fall in love with the same beautiful girl one summer.

Impressionistic film based on a Maupassant story about five friends who fall in love with the same beautiful girl one summer.

Silly Augustine, wife of silly August, who performs in the circus, and mother of Guggo, Gugga and Guggilein, dreams of one day being able to perform as a clown in the circus. Instead, she has to run the exhausting household. Her suggestion to share the job, the housework and the children is met with incomprehension and scorn from her husband. When silly August suffers from a toothache and misses his performance, Augustine seizes her chance, steps in and promptly masters the task with flying colors. From then on, father and mother share the housework and circus duties, as silly August immediately realizes that he has underestimated his wife.

Silly Augustine, wife of silly August, who performs in the circus, and mother of Guggo, Gugga and Guggilein, dreams of one day being able to perform as a clown in the circus. Instead, she has to run the exhausting household. Her suggestion to share the job, the housework and the children is met with incomprehension and scorn from her husband. When silly August suffers from a toothache and misses his performance, Augustine seizes her chance, steps in and promptly masters the task with flying colors. From then on, father and mother share the housework and circus duties, as silly August immediately realizes that he has underestimated his wife.

When a young princess, instead of being fully dedicated to her love, persists in running around like a tomboy and roaming the forests with her gang, and a young prince refuses to give up all his vices and mischief, an aquaphobic fairy takes their fate into her hands. The princess then falls in love with the prince, who declares eternal fidelity to her. When he however breaks this promise, the fairy turns him into a frog. With which the loyalty of the princess is being tested as well.

A man leaves his busy city life for the peace of the country home where he spent his early childhood. His new life is soon disturbed by strange events.

Juraj Herz adapts Bohumil Hrabal's story about a man who works in a junk shop.

Juraj Herz adapts Bohumil Hrabal's story about a man who works in a junk shop.

The dreaded Italian mafioso, Marian Labuda, will also be convinced. Mafioso Carmello was guilty of the principles of his organization when he tried to fool the boss and earned a death sentence. The convict runs away from the killer through Vienna to Prague, which his Austrian colleague in crime recommended as a safe hiding place. None of them knows that the Czechs learned so much tricks under real socialism that a seasoned Italian professional is not enough to watch.

The dreaded Italian mafioso, Marian Labuda, will also be convinced. Mafioso Carmello was guilty of the principles of his organization when he tried to fool the boss and earned a death sentence. The convict runs away from the killer through Vienna to Prague, which his Austrian colleague in crime recommended as a safe hiding place. None of them knows that the Czechs learned so much tricks under real socialism that a seasoned Italian professional is not enough to watch.

The director and choreographer from Prague are preparing a show performance "Oriental Fairy Tale" - a ballet on ice with the participation of vocal and instrumental ensembles and pop singers. They are shooting their picture in Kazakhstan at the Medeo high-altitude skating rink.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

Rambling Engelbert: 1973 Czechoslovakian T.V. movie musical

A divorced single mother romances a young slaughterhouse worker, must to the chagrin of her ex-husband.

A divorced single mother romances a young slaughterhouse worker, must to the chagrin of her ex-husband.

During the Protectorate of Bohemia and Moravia, the main characters of the story meet in a village pub. A traveling magician performs his variety show there with his assistant and current lover, with whom the local innkeeper had an affair in the past. The assistant would like to settle down, as she is tired of the traveling life. However, after an argument, the magician kicks her out. Hiding in the tavern's cellar is a young 16-year-old girl, half-Jewish, who is fascinated by the magician's performance. The innkeepers have been hiding her there somewhat against their will. When the girl runs away with the magician, they feel somewhat relieved. But only until they realize what would happen if the girl revealed where she was hiding.

Singer and actress Naďa Urbánková, against the background of vampires and ghostly realities.

Singer and actress Naďa Urbánková, against the background of vampires and ghostly realities.

The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

The waitress Gita from the hotel "Bobí vrch" approaches her lover who has not left his wife yet and gives him an ultimatum: if he does not do all according to her wish, she will announce to the police his machinations with foreign currency.

In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.

In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.

When Dr. Hahn is found murdered in the hospital’s inspection room, investigators question several suspects: his colleague and longtime lover Dr. Marie Nováková (whom he cheated on with nurse Jiřina), the nurse herself, Dr. Petera (whose career he stymied), a senile patient named Zima, and the inept clinic head. As police sift through truthful and deceptive testimonies, complex professional rivalries and personal entanglements among the hospital staff come to light.