Gary Walkow

The true story of two murders that shaped the lives of several college students who went on to become some of the most influential writers of the "Beat Generation."

It sounds like a budding writer's dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife... But it all unravels when writer's block and a failed marriage send Richard McMurray out into the streets.

Dick Kendred (Tom Villard) is a frustrated writer whose latest book has been turned down by every publisher around. His work seems to be missing one key ingredient: half-nude chicks. In an effort to cure his writer's block (and get some much needed inspiration), Dick rents a room from a couple of women who waste no time hitting on him. Talk about invoking the muse! This lighthearted romp won the Grand Jury Prize at the Sundance Film Festival.

Philip Van Horn, who left his small town a long time ago to become a Hollywood actor and hasn't had any success at that, returns to the town for a visit. There he is uniformally met like some kind of celebrity and movie star. He uses it to impress his (and everybody's) school love Dorothy, her life now a grey boring experience.

Some chase money, fame or power. For Maxwell Colonna-Dashwood and his wife Lesley, it’s flavor. From award-winning director Gary Walkow (with a little help from his son Harry) comes Chasing Flavor, a caffeine-fueled adventure through the world of speciality coffee. Shot over a period of six years, the film follows the Dashwoods from scientific laboratories to the World Barista Championship and beyond in their quest for the perfect cup. You’ll never look at your morning coffee the same way again.

A fictional character miraculously comes to life and escapes from a writer's control. He is left to navigate the real world knowing only his name and that he has escaped, forcing him to learn everything else from scratch.

The true story of two murders that shaped the lives of several college students who went on to become some of the most influential writers of the "Beat Generation."

The true story of two murders that shaped the lives of several college students who went on to become some of the most influential writers of the "Beat Generation."

It sounds like a budding writer's dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife... But it all unravels when writer's block and a failed marriage send Richard McMurray out into the streets.

It sounds like a budding writer's dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife... But it all unravels when writer's block and a failed marriage send Richard McMurray out into the streets.

Dick Kendred (Tom Villard) is a frustrated writer whose latest book has been turned down by every publisher around. His work seems to be missing one key ingredient: half-nude chicks. In an effort to cure his writer's block (and get some much needed inspiration), Dick rents a room from a couple of women who waste no time hitting on him. Talk about invoking the muse! This lighthearted romp won the Grand Jury Prize at the Sundance Film Festival.

Dick Kendred (Tom Villard) is a frustrated writer whose latest book has been turned down by every publisher around. His work seems to be missing one key ingredient: half-nude chicks. In an effort to cure his writer's block (and get some much needed inspiration), Dick rents a room from a couple of women who waste no time hitting on him. Talk about invoking the muse! This lighthearted romp won the Grand Jury Prize at the Sundance Film Festival.

Dick Kendred (Tom Villard) is a frustrated writer whose latest book has been turned down by every publisher around. His work seems to be missing one key ingredient: half-nude chicks. In an effort to cure his writer's block (and get some much needed inspiration), Dick rents a room from a couple of women who waste no time hitting on him. Talk about invoking the muse! This lighthearted romp won the Grand Jury Prize at the Sundance Film Festival.

Some chase money, fame or power. For Maxwell Colonna-Dashwood and his wife Lesley, it’s flavor. From award-winning director Gary Walkow (with a little help from his son Harry) comes Chasing Flavor, a caffeine-fueled adventure through the world of speciality coffee. Shot over a period of six years, the film follows the Dashwoods from scientific laboratories to the World Barista Championship and beyond in their quest for the perfect cup. You’ll never look at your morning coffee the same way again.

A fictional character miraculously comes to life and escapes from a writer's control. He is left to navigate the real world knowing only his name and that he has escaped, forcing him to learn everything else from scratch.

A fictional character miraculously comes to life and escapes from a writer's control. He is left to navigate the real world knowing only his name and that he has escaped, forcing him to learn everything else from scratch.

A fictional character miraculously comes to life and escapes from a writer's control. He is left to navigate the real world knowing only his name and that he has escaped, forcing him to learn everything else from scratch.

Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute.

Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute.

William Pierce (Nelson Franklin) is a practical, rational man who suddenly finds himself face to face with the paranormal when he starts receiving phone calls from the dead on the cell phone his recently-deceased fiancée (Melissa Ordway) left behind.

Gary Walkow shot this film in 1977 and completed it in 1978. In the August 1979 issue of "American Cinematographer" Tom Frei wrote an article "Moving Camera Shots inside a Moving Automobile." The entire film was shot inside of a Oldsmobile Starfire. Gary looped the entire soundtrack but now feels it would have been much better using the production sound. Oh, well.

Gary Walkow shot this film in 1977 and completed it in 1978. In the August 1979 issue of "American Cinematographer" Tom Frei wrote an article "Moving Camera Shots inside a Moving Automobile." The entire film was shot inside of a Oldsmobile Starfire. Gary looped the entire soundtrack but now feels it would have been much better using the production sound. Oh, well.

Existential Risk is a film about the possibility of human extinction or civilizational collapse, as these questions (and others) are grappled with in Cambridge, England. A personal documentary in which the filmmaker's own existential crisis (micro) is contrasted with planetary risk (macro).

Existential Risk is a film about the possibility of human extinction or civilizational collapse, as these questions (and others) are grappled with in Cambridge, England. A personal documentary in which the filmmaker's own existential crisis (micro) is contrasted with planetary risk (macro).

Existential Risk is a film about the possibility of human extinction or civilizational collapse, as these questions (and others) are grappled with in Cambridge, England. A personal documentary in which the filmmaker's own existential crisis (micro) is contrasted with planetary risk (macro).

Mary (Kate Lyn Sheil) lives alone. She is waiting for something to happen in her life. Riding the elevator to work, a strange man, Hayward, grabs her shoulder and speaks to her telepathically. “Do you believe in magic?” This triggers a nervous breakdown. After a visit to the emergency room, Mary goes to stay at her sister’s house, and goes into therapy. Mary can now hear people’s thoughts, and she starts hearing music that seems to be broadcast from her mind. Adapted by Gary Walkow from his novel of the same name.

Mary (Kate Lyn Sheil) lives alone. She is waiting for something to happen in her life. Riding the elevator to work, a strange man, Hayward, grabs her shoulder and speaks to her telepathically. “Do you believe in magic?” This triggers a nervous breakdown. After a visit to the emergency room, Mary goes to stay at her sister’s house, and goes into therapy. Mary can now hear people’s thoughts, and she starts hearing music that seems to be broadcast from her mind. Adapted by Gary Walkow from his novel of the same name.

Mary (Kate Lyn Sheil) lives alone. She is waiting for something to happen in her life. Riding the elevator to work, a strange man, Hayward, grabs her shoulder and speaks to her telepathically. “Do you believe in magic?” This triggers a nervous breakdown. After a visit to the emergency room, Mary goes to stay at her sister’s house, and goes into therapy. Mary can now hear people’s thoughts, and she starts hearing music that seems to be broadcast from her mind. Adapted by Gary Walkow from his novel of the same name.

A well-observed, plausibly troubled love story

A well-observed, plausibly troubled love story

No synopsis available yet.

An American writer is in over his head when he must take his ex-girlfriend's two precocious children on a road trip across England. But sometimes driving on the wrong side of the road can make things right.

An American writer is in over his head when he must take his ex-girlfriend's two precocious children on a road trip across England. But sometimes driving on the wrong side of the road can make things right.

An American writer is in over his head when he must take his ex-girlfriend's two precocious children on a road trip across England. But sometimes driving on the wrong side of the road can make things right.