Piotr Szulkin

The film is a portrait of Zygmunt Samosiuk, a great forgotten cinematographer, who died in 1983. As a director of photography he worked on such films as The Birch Wood, Landscape Afterthe Battle and Austeria. He introduced, among others, hand‑held camera shots, colour lights and shooting at minimum exposure. Reminiscences of his colleagues and friends, including Andrzej Wajda and Piotr Szulkin, show a gifted artist and a modest man who valued his work above all.

This sumptuously photographed period drama is set in 1791 Vienna. Maximilian Bardo, an opportunistic 18-year old Viennese man with aspirations to rise above his bourgeois upbringing, looks for a chance to shoehorn himself into the nobility. His hopes lead him to the castle of a wealthy inventor, Alexander Plant. It is here that a strange story is played out, as Maximilian, full of naive illusions and innocent ideals of what it means to be wealthy and noble, quickly loses his innocence. Falling prey to the jaded aristocrats in residence, he is cruelly initiated into their decadent games.

"Mieso" (Meat) is a satirical and irreverent revision of the most recent history of Poland.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

The movie consists of three novellas, the events of which take place during World War II. The first, "White Daisies", tells how a Polish priest saves a Jewish boy who survived a mass shooting. Another movie story, "Desolation," is about a ghetto boy in love who must, by all means, bring wildflowers to his beloved. The third novel, "The Cuckoo's Prediction," is about a prisoner who escapes from a POW camp. He escapes after his bunkmate tells him that he heard him speaking Yiddish in his sleep.

The beginning of the occupation. A closed mental world for the sick. Dr. Kauters values ​​only methods of resolution, Dr. Rygier is a believer in strong authority, Dr. Marglewski considers psychic property a form of haunting, Dr. Nosilewska left Austria after the Nazi occupation. The writer Sekułowski seeks shelter. The young, newly arrived doctor, Stefan, refuses to remain passive in the face of the situation and events...

A surrealistic portrait of restaurant guests as seen by an otherworldly visitor who has the ability to read people’s subconscious.

"Mieso" (Meat) is a satirical and irreverent revision of the most recent history of Poland.

"Mieso" (Meat) is a satirical and irreverent revision of the most recent history of Poland.

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.

A TV adaptation of Sławomir Mrożek's play, about a family whose rejection of traditional values leads to erosion of their daily lives and Artur's, the youngest one's efforts to reinstate rules in the house.

Dialogue-free short detailing the daily tasks of a man and his wife.

Dialogue-free short detailing the daily tasks of a man and his wife.

A cinematic nativity scene with songs performed by Polish Highlanders.

A cinematic nativity scene with songs performed by Polish Highlanders.

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

Pernat finds himself in a police interrogation, accused of a murder, and unable to recall any details of the crime, or even his own life. He's released back into a world of raving lunatics and deranged dentists, murderous doctors and scientists who believe the secret of human creation is inside the walls of a cast-iron oven.

Pernat finds himself in a police interrogation, accused of a murder, and unable to recall any details of the crime, or even his own life. He's released back into a world of raving lunatics and deranged dentists, murderous doctors and scientists who believe the secret of human creation is inside the walls of a cast-iron oven.

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

Polish teleplay based on Ephraim Kishon's play, concerning the characters of Romeo and Juliet and their alternate fate had they survived the events of Shakespeare's play and grew old together.

Polish teleplay based on Ephraim Kishon's play, concerning the characters of Romeo and Juliet and their alternate fate had they survived the events of Shakespeare's play and grew old together.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

An apple is squished to the soundtrack of its amplified demise.