Moon So-ri

Chasing speed, dreams and money, a team of drivers get involved in the slush fund investigation of a powerful figure during the 1988 Seoul Olympics.

The awkward, distant, and wounded three sisters gather at their hometown for their father's birthday. However, on the day of the party, there is a big mess because of their little brother Jin-seob's abnormal behavior, and the past of the three sisters slowly reveals.

An eighth grade student kills himself but not before writing the names of the students who victimized him. Their parents are called into the school and a battle goes on regarding the will.

A portrait of the South Korean screenwriter, director and producer Lee Chang-Dong through his work, this documentary provides a thematic analysis of his films, most of which have been selected for and received awards at the Cannes Film Festival.

After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.

Oh Tae-kyung, once an up-and-coming actor, starts a YouTube channel. He starts to produce content where he grants people's wishes, borrowing a concept from the movie “Oldboy”.

The three-part project stars Byeon Woo Seok, KARINA, WONYOUNG and expands its narrative from love to forgiveness through cinematic storytelling.

Young-in was brought back to life by his mother with the help of AI. However, the sweetness of seeing his son again didn't last so long. But soon, his mother realizes that the AI ‘deleted’ Young-in’s consciousness and has been pretending to be him.

Based on Kim Young-ha’s seminal award-winning novel, The Empire of Light takes the audience on a journey between truth and lies, dreams and reality, where the lives of a North Korean sleeper agent and his wife unravel in just 24 hours.

What began merely as an entertaining performance, the 'Meryl Streep Project' has transformed into an icon of resistance, exposing the realities of women's rights in South Korea. However, following the COVID-19 pandemic, the project has taken an unexpected turn.

1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.

A young woman leaves the city to return to her hometown in the countryside. Seeking to escape the hustle and bustle of the city, she becomes self-sufficient in a bid to reconnect with nature.

Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.

Based on a bestselling preteen novel of the same title that has sold more than 1 million copies in Korea, “Leafie, A Hen into the Wild” is about a laying hen named Leafie who is destined to live the “same old” repetitive life confined on the chicken farm. Her fate changes when she escapes from the chicken farm and hatches a duck egg. With the duckling (who believes Leafie to be his mother), sets off on a journey into the wild with her new son to find her freedom.

In 1987 Korea under an oppressive military regime, the unlawful interrogation and death of a college student ignite ordinary citizens to fight for the truth and bring about justice.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Seoul, South Korea, September 21st, 2008. Eight citizens, the first to intervene as jurors in the country's legal history, are randomly selected to examine a matricide case that appears to have been resolved due to the existence of apparently conclusive evidence.

Chul-soo is one of Korea’s best intelligence agents: he can accomplish any given mission. One day, a mysterious explosion takes place in Seoul. Chul-soo flies to Thailand on a mission to rescue a person who holds clues to the incident. Meanwhile, Young-hee goes on a business trip to Thailand and gets entangled with Chul-soo’s mission. Will he accomplish his mission and save his wife at the same time?

Days after her friends disappear during a trip to a mysterious cave, a girl is approached by a grown man claiming to be one of her missing pals.

A couple's hospital tryst is caught on X-Ray. Thinking she and her boyfriend are the ones in the compromising radiograph, nurse Yoon-young goes in the next day to resign only to find that everyone has called in sick except the head doctor.

For the first time in Korean history, the mayor of Seoul attempts a third term in office, with his entire campaign team ready to soil their hands.

A young woman and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves: There are three women named Anne, and each woman consecutively visits the seaside town of Mohang. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can be seen restlessly wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner's daughter, and ventures onto the beach where they meet the lifeguard.

Shin-hye, Mi-yeon, and Hae-young are three vivacious women who help each other through the tangles of their romantic lives, from tentative first dates to Viagra-taking husbands and one-night stands. Being 40 proves that they're not past their prime.

A collection of three short films directed by Moon So-ri. During recent years, Moon tried writing and directing. She previously wrote and directed three short films “The Actress” (2014), “The Running Actress” (2015), and “The Best Director” (2015), and these three short films are assembled here together in her first feature film “The Running Actress”.

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

A life documentary of a woman who was shunned for being possessed by spirits as a girl, oppressed for following superstitions as an adult, how she grows to be a great shaman who embraces the pain of all people, and how she comes to be honored as a national treasure of Korea with her outstanding artistic talents throughout Korea's tumultuous history.

In April 2014, the entire nation of South Korea watched on television live as The Sewol capsized off the coast of Jindo. The tragedy left life-long wounds in the hearts of people whose family and friends had been among the 304 passengers killed. The majority of the victims were high school students on a school trip. Their parents were not even given the luxury of grieving, as they had to camp out in front of the Parliament, City Hall and the Presidential House, asking for only one thing - to know the truth about why their children had been left to die. But after more than a year, that truth has yet to be brought to light. This film is a documentation of the year-long struggle and painful soul-searching of people destined to be labelled as 'bereaved families' for the rest of their lives, as they come face to face with the naked face of their cruel country.

A man searching for his missing ex-girlfriend uncovers the dark secret behind an organization selling romantic virtual reality experiences. A film director looking for artistic inspiration runs into a strange woman who may or may not be a ghost. An assassin and a target for in love with each other but the assassin must complete the assignment.

In 1950s Korea, war-scarred widow Jung-boon raises her daughter alone. Teen orphan Yoon-ha falls for her; years later he marries the daughter to stay near Jung-boon, igniting forbidden love and tragedy.

A bad guy, a cruel guy, a lame guy, a cowardly guy and the meanest woman gets involved in a beautiful university student's murder case.

Over drinks, two friends agree to swap fond memories of their recent trips to the same seaside town. As the stories unfold in flashback, it becomes evident their accounts take place at the same time and with the same people.

The Korean war does not start well for the US. They are being routed by the North Koreans and In July 1950, the early stage of the Korean War, at the Jugok Village in the middle of the Korean Peninsula, Chang-yee and his friends grow excited over the amateur singing contest knowing nothing about what is going on around them. At the time, the US Army keeps losing and are pushed back to the village, evacuating all villagers to head south. The villagers took refuge like going on a picnic believing that the US Army is protecting them, they just follow their orders moving south bound.

Yoon-young fell for Song-hyeon when she was married to his friend. When she gets divorced, he takes her on a trip to Gunsan, where they stay at a guest house run by a middle-aged man and his autistic daughter.

Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.

People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.

It was produced to commemorate the 40th anniversary of Korean Film Archive.

A young man released from prison visits the widow of the man he killed drunk-driving and becomes infatuated with his cerebral palsy-stricken daughter.

A woman, married and with a child but becoming increasingly distant from her husband who is already cheating on her, reluctantly enters a secret relationship with her neighbor, a teenage boy.

In the spring of 1999, a group of old friends gather to celebrate their 20 year reunion. Among the group is Yeong-ho, a cold, unhappy man, whose demeanor puts a damper on the festivities. The seriousness of Yeong-ho's depression becomes apparent when he climbs a railroad bridge and looks like he might jump. At this crucial moment, memories of seven crucial episodes from Yeong-ho's past flood his mind.

The lovely and promiscuous textile professor Eun-sook has all the male professors wrapped around her finger. It also helps that she has slept with most of them. Eun-sook is also a member of an environmental awareness group. When the popular comic book artist Suk-gyu joins the group, he arouses the jealousy of Mr. YOO, one of the other member who fears that Suk-gyu will steal Eun-sook from him. It turns out that Eun-sook and Suk-gyu attended the same junior high school where they share a secret and tragic history. Back then, Eun-sook was Suk-gyu's older brother’s girlfriend. But after Eun-sook decides to sleep with Suk-gyu as well, the older brother's best friend dies in an accident in which both of them are involved. As the jealous MR.YOO starts to investigate Eun-sook and Suk-gyu's past, will their secret be kept? Will they get together again?

A well-meaning but politically naive barber gets pulled into the inner circle of the South Korean dictator Park Chung-Hee, with rather baleful consequences for his hapless family. This sharp political satire covers roughly twenty years in South Korean political history, from the viewpoint of the barber's son.

An omnibus of four episodes each of which stars four protagonists: a guy suffering from nightmares; a lady having an arranged marriage set up following a break-up with her longstanding boy friend; another guy endlessly talking to his supposed-to-be-brother, and another lady unable to meet the deadline for her translations.

A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.

A woman breaks up with her boyfriend of seven years. Devastated, she throws herself into another relationship and decides to get married, only to have her exboyfriend return to her...

A look at the Korean women's handball team and their journey to the 2004 Summer Olympics. Their path was far from flowery, and they must overcome many obstacles before they can head over to compete.

As his sexual awareness increases, Gwang-ho no longer likes the scent of his mother, who wears heavy make-up as she sells cosmetics door-to-door. Eun-sook, an assistant nurse who is the complete opposite of Gwang-ho's mother, becomes the object of all of Gwang-ho's attention and affection. Absorbed in his thoughts, Gwang-ho is oblivious of the news of the presidents death and the picture of the new president replacing the late president in his classroom. Gwang-ho receives a letter of luck and starts sending it to people around him. As those people start vanishing, Gwang-ho is racked with guilt, suspecting the letter of luck is the cause of their disappearance.

A story of three families living different but similar lives. They always fight and quarrel, but love is the common denominator for their relationship, making people think about what families are for.

Seung-yun is stressed out because he is sent to several private academies after school. His mother reproves him for not living up to her expectations. His father takes pity on him for being nagged on by his mother all the time... Ju-hun, a new employee at a company, is a vegetarian and cannot drink alcohol at all. Chang-su thinks Ju-hun is eccentric and is displeased with him... Su-hyeong sent his son and daughter with his wife to study abroad, but he grows tired of staying alone in his empty house... SONG has lived with her authoritarian husband without any serious problems, but she does not want to stay with him anymore. GWON, an old man, pretends to be calm in the face of his wife’s request for divorce. But actually he can’t do anything by himself... These are not unfamiliar fictional events but rather they reflect the lives of ordinary people in Korea at the present time. Through their stories, shows us how a society imposes normalcy on its people in their daily lives.

A mother and daughter are climbing a deserted mountain path, carrying their father's body. They came to this mountain to follow the father's last will to be buried somewhere in the mountains designated as a military operation zone, but the coffin breaks and the porter disappears along the way, and the mother and daughter's journey seems far away. They finally arrive at the gravesite, and what ending awaits them?

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

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