Kenpachirō Satsuma

Inventor Goro Ibuki creates a humanoid robot named Jet Jaguar. It is soon seized by an undersea race of people called the Seatopians. Using Jet Jaguar as a guide, the Seatopians send Megalon as vengeance for the nuclear tests that have devastated their society.

An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.

Mothra's dark counterpart, Battra, emerges to eliminate humanity on behalf of the Earth. Two tiny fairies called the Cosmos offer their help by calling Mothra to battle the creature. Unfortunately a meteorite has awoken a hibernating Godzilla as a three way battle for the Earth begins.

A mysterious extraterrestrial being resembling Godzilla rapidly approaches Earth. The monster, dubbed SpaceGodzilla, lands to challenge the King of the Monsters.

After the previous Godzilla attack, a miniature arms race ensues to collect his cells. Concerned over Godzilla's possible return, the Japanese government uses the cells to create a new bio-weapon, ANEB (Anti-Nuclear Energy Bacteria). They seeks the aid of geneticist Genshiro Shiragami, who's experiments result in a new mutation.

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

The Futurians, time-travelers from the 23rd century, arrive in Japan to warn them of the nation's destruction under Godzilla. They offer to help erase Godzilla from history by preventing his creation. With Godzilla seemingly gone, a new monster emerges as the Futurians' true intentions are revealed.

A squadron of Japanese Self-Defense Force soldiers find themselves transported through time to their country's warring states era, when rival samurai clans were battling to become the supreme Shogun.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.

The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.

A detective goes out of his way to crack the case of a serial killer who specialises in murdering police officers.

A blind masseur kidnaps young women and kills them and then make sculptures of them, while a mysterious dwarf spreading severed body parts around. Detective Akechi Kogorô investigating crimes.

A lavish retelling of the true story of the final voyage and ultimate destruction and sinking of the battleship Yamato, Japan's greatest flagship during the Second World War.

This movie tells the story of Hong Kil Dong, a legendary 15th century Korean Robin Hood figure.

A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.

Onda, the manager of the underwear manufacturer "Excellan," is a "sexual harassment manager." During a sales meeting, he puts his finger between the legs of Keiko Kono, who is sitting next to him, and when he goes on a client visit with new employee Shimada Shinobu, he forcibly takes her to a hotel. Akiko Nakajima, who was sexually harassed by Onda during her interview and was not hired, complains to other companies that "Excellan" is plagiarizing designs...

From the king of the Japanese cult movie, Teruo Ishii! A controversial film in which actual cases that rocked modern-day Japan—including the sarin gas attack by the Aum Shinrikyo Cult—are dramatized with gruesome detail as their perpetrators stand trial in Hell. An angst-ridden girl, Rika, is carried off to Hell by an old woman she meets in a neighborhood park. There she gets a first-hand look at the excruciating agony of those found guilty—by Lucifer himself—of committing heinous crimes during their time on Earth.

Three years ago, Ayano lost her husband and was running a small delivery business on her own, raising her daughter, Asami. Unable to pay high wages and struggling with high employee turnover, she followed the advice of her neighbor, Mr. Shiroyama, and offered her body to a new employee, Nishikawa, to get him to promise to stay for three years. Then, one day, Ayano and Asami had an argument. Asami confided in her boyfriend, Tonoyama, who embraced her tenderly and suggested they live together, but afterwards, Tonoyama ran off with the company's money…

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A look into the production of the nineteenth Godzilla film. Includes filmmaker and actor interviews with behind the scenes footage of the film's visual effects. Includes an interview with Akira Ifukube and a brief discussion of the late Ishiro Honda.

Documentary focusing on the Japanese Godzilla, featuring interviews with such people as Director Jun Fukuda, the wide of the late Ishiro Honda and Alex Cox. This documentary incorporates footage from rare shows like "Ultra Q" and films like "King Kong Escapes".

Japanese war-era film