Gilles Renaud

A kennel owner, grappling with climate anxiety, falls in love with a customer service rep over the phone. Amid a natural disaster, he embarks on an adventurous, bilingual romantic journey to find her.

Each married on their side, a teacher and a sociologist meet by chance in Quebec. Political and intellectual discussions followed a brief mad love.

Jacques is an actor who runs away to the countryside to escape his gambling debts. He meets Simon, a rough and wily farmer who manipulates him into a business relationship. After a difficult start, the men help each other grow marijuana. They happen to meet Francesca, a sharp young woman who soon embraces their venture. By the time they get to the winter harvest, the three have learned to live together, but outside forces threaten the delicate balance of their little business...

The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.

When the body of the executive of hockey Benoit Brisset is found on the billboard of the border of Quebec and Ontario, the jurisdiction of the crime is shared between the two police forces and detectives David Bouchard from Montreal and Martin Ward from Toronto are assigned to work together. With totally different styles, attitudes and languages.

Gaby owns a farm on which he raises lambs: Bouchard & Sons Farm. But he has no sons. Rather, he has two daughters that he raised like princesses and who live far away, in the big city. One day, the oldest asks him for some financial support so she doesn't end up losing her house...

Exile and possibly death are in the cards for the Queen of France in this edgy cloak-and-dagger adventure based on Alexandre Dumas' unrivaled tale of THE THREE MUSKETEERS and their reckless romantic friend D'Artagnan. Supernatural powers and dark mystical forces add an exciting twist to this classic tale.

A couple in Québec deals with the pitfalls, pressure and high expectations of raising kids in a society obsessed with success and social media image.

Anna (Laurie Gagné) is going through a particularly stressful time: she is preparing to reconnect with Jason (Thomas Lapointe), the son she was forced to place for adoption almost 20 years ago. Unable to go through with this meeting, she takes refuge, clandestinely, in the house of an elderly couple. A dramatic event changes everything and forces Anna to forge an impromptu relationship with Victorine (Louise Turcot). The strange cohabitation of these two women will help them find the courage to face their trials.

When Remy, an ad consultant, falls in love with Sarah, the newest star of an ad campaign, sparks fly. The only problem is that they are both married. Sarah's husband knows she will eventually get tired of Remy while his wife just can't let go. At first she throws him out, begs him to come back, cheats on him, hates him, and finally slumps into the worse depression ever. It is amazing what love can do...

Mohawk archaeologist Baptiste Asigny engages in a search for his ancestors following a tragic terrain slump in the Percival Molson Stadium.

Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

On the eve of her final moments, a woman recalls her alcoholic past. She revisits her entire youth, including a binge that, at 46, cost her everything she had: "Loneliness and aging are themes that impose themselves on me, in one form or another. As for alcoholism, it fascinates me because of the revolt it underpins, and revolts me because of the unhappiness it creates around itself.

This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the small tragedies surrounding the gaz bar, such as hold-ups, competition from the big companies invading the neighbourhood, and the fact that is sons don't seem to be interested in the gas station.

One of Canada's talented directors, actress Micheline Lanctot expresses an effective, engaging approach in this simple, poignant drama about Armand (Jocelyn Berube), a handyman with one problem romance after another. The quiet Armand settles into Montreal after his wife has left him and before long, he continues the momentum when an ill-considered liaison with a nubile woman ends on her insistence. Next, Armand gives his heart to a frustrated housewife, though this decision is hardly well thought out. In the meantime, a gay man who rents out a room in his apartment has unfulfilled longings directed at the unsuspecting handyman. L'Homme a Tout Faire won a Silver Medal for "Best Picture" at the 1980 San Sebastian Film Festival.

Seasoned drug smuggler and thief François “Chico” Tremblay is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia’s most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.

A few days before she retires, devoted Winnipeg school principal Denise has spent her entire life taking care of everyone else. She is the glue holding together a crumbling ecosystem of neediness: a well-meaning but chronically disappointing husband, a school full of little crises, a self-absorbed daughter and unruly grandkids who treat her like a built-in safety net, and an aging father whose enthusiastic nudism keeps getting him expelled from one seniors’ home after another. When one indignity too many pushes her past her breaking point, Denise makes a radical decision.

A 12-year-old girl faces a father she hardly remembers after his transition into a woman.

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.

Two old friends and small-time crooks embark on a crime spree, but take an unexpected detour that could lead them down the road to redemption.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

In this French–Canadian oddity of music and drama, an actress in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.

An obsessed scholar attempts to withdraw from the world but finds personal ties drawing him back into the family he had left behind, in this novelistic, beautifully modulated drama from acclaimed Québécois filmmaker Bernard Émond.

It is the early 20th century. A stranger arrives in the small, rural community and disrupts the lives of its inhabitants. The man, who refuses to give his name, is dubbed The Outlander. A traveller who disdains conventional behaviour and parochialism, The Outlander disturbs the villagers' complacency and scandalizes the community; he also elicits admiration and gains a woman's love. He ultimately leaves in the same manner he had arrived, but not before he has helped the villagers open their eyes to the larger world beyond their village.