Miguel Kohan

A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.

Wara, a teenager from the Puna, moves to a neighborhood on the outskirts of Jujuy. While she is going through uprooting as well as the mourning for the death of her grandmother on her father’s side, questions arise in her that she will solve through a dialogue between her voice and her violin.

No synopsis available yet.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.

In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.

A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.

A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.

A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.

Wara, a teenager from the Puna, moves to a neighborhood on the outskirts of Jujuy. While she is going through uprooting as well as the mourning for the death of her grandmother on her father’s side, questions arise in her that she will solve through a dialogue between her voice and her violin.

Wara, a teenager from the Puna, moves to a neighborhood on the outskirts of Jujuy. While she is going through uprooting as well as the mourning for the death of her grandmother on her father’s side, questions arise in her that she will solve through a dialogue between her voice and her violin.

Wara, a teenager from the Puna, moves to a neighborhood on the outskirts of Jujuy. While she is going through uprooting as well as the mourning for the death of her grandmother on her father’s side, questions arise in her that she will solve through a dialogue between her voice and her violin.

No synopsis available yet.

No synopsis available yet.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.

Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.

Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.

In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.

In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.