Bret Parker

Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.

When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.

Bob Parr has given up his superhero days to log in time as an insurance adjuster and raise his three children with his formerly heroic wife in suburbia. But when he receives a mysterious assignment, it's time to get back into costume.

A look at the relationship between Mike and Sulley during their days at Monsters University — when they weren't necessarily the best of friends.

A fast food restaurant mini variant of Buzz forcibly switches places with the real Buzz and his friends have to deal with the obnoxious impostor.

The Parrs' baby Jack-Jack is thought to be normal, not having any super-powers like his parents or siblings. But when an outsider is hired to watch him, Jack-Jack shows his true potential.

Mater is a matador fighting a herd of bulldozers in Spain. When Lightning McQueen enters the story, the bulldozers begin to chase him due to his red paint.

Lightning McQueen and Mater are driving in Radiator Springs and drive past Red, who is hosing some plants near Stanley. Mater tells Lightning that he used to be a firetruck, but Lightning doesn't believe Mater.

Mater tells Lightning McQueen about his former job as a daredevil.

Purl, an earnest ball of yarn, gets a job at a fast-paced, male-centered startup company. Things start to unravel as Purl tries to fit in with this tight-knit group, but she must ask herself how far is she willing to go to get the acceptance she yearns for and if, in the end, it is worth it.

The production of the movie, "The Incredibles," shot behind the scenes at Pixar Animation Studios.

Pete is a short film about gender identity, Little League Baseball, the people who inspire change by trying to be themselves, and the superheroes who allow that change to happen.

Pete is a short film about gender identity, Little League Baseball, the people who inspire change by trying to be themselves, and the superheroes who allow that change to happen.

A vivid trip down memory lane, Through the Windows celebrates San Francisco’s own beloved Twin Peaks bar. With its sky-high windows looking out onto the corner of Castro and Market, this landmark establishment stands not only as one of the gayborhood’s most beloved establishments but also as a testament to the revolutionary idea that gay people should be seen and celebrated rather than hide in the darkness of alleys and blacked-out windows. Whether you’re a regular who thinks of the bar as “Cheers for Queers” or a passerby, this snappy locally-produced documentary is chock-full of familiar faces and fascinating stories. Deeply personal interviews provide a history of this lesbian-owned bar as well as the Castro area—a blue collar Irish-Italian community in the ‘60s that became a gay mecca in the ‘70s, endured the health crisis of the ‘80s, and has served as a sense of home, family, and emotional nourishment for so many in our community every day of its 47-year history.

A vivid trip down memory lane, Through the Windows celebrates San Francisco’s own beloved Twin Peaks bar. With its sky-high windows looking out onto the corner of Castro and Market, this landmark establishment stands not only as one of the gayborhood’s most beloved establishments but also as a testament to the revolutionary idea that gay people should be seen and celebrated rather than hide in the darkness of alleys and blacked-out windows. Whether you’re a regular who thinks of the bar as “Cheers for Queers” or a passerby, this snappy locally-produced documentary is chock-full of familiar faces and fascinating stories. Deeply personal interviews provide a history of this lesbian-owned bar as well as the Castro area—a blue collar Irish-Italian community in the ‘60s that became a gay mecca in the ‘70s, endured the health crisis of the ‘80s, and has served as a sense of home, family, and emotional nourishment for so many in our community every day of its 47-year history.