Barbara Stephens

Aftershocks is a 1998 Australian TV film based on the theatre production of the same name about the 1989 Newcastle earthquake, focusing on the Newcastle Workers Club.

Private detective Dirk Trent, a collector of cigarette butts, a "smooth" ladies man, a wearer of bad suits, and he's convinced there's more to an incident he caught on tape, where a man seemed about to murder his mistress with an axe. Delving deeper, the film enters some seldom-trodden territory as it slips easily into horror and sci-fi, while still maintaining the hilarious dialogue

When a group of macho footballers who haven't won a match in two years take on a private coach and start winning, the team have only one problem. They don't want anyone to know that their coach is the town's newly-arrived ballet teacher. Juliet has come in search of a new life with her young son and finds the place less sympathetic than she had bargained for. This lively comedy takes the lid off Australia's macho image and discovers that it's not quite as tough as it likes to imagine.

Three attractive socialites working for charity turn to robbery to keep a special primary school for underprivileged children open.

Abigail Kirk was an ordinary enough sixteen year old growing up in todays Sydney. An intriguing chain of events finds Abigail, through some eerie time shift, transported back one hundred years after watching some children playing a scary game called Beatie Bow.

The Australian Hector's Bunyip concerns the misadventures of impoverished inventor Robert Coleby. As if his money problems weren't enough, Hector is being hectored by land developer Brian Moll and child-welfare officer Joan Sydney. The latter antagonist wants to claim Hector's foster child and place the kid in an orphanage. But salvation comes in the most unlikely fashion. First telecast in the US on PBS' Wonderworks series, the 60-minute Hector's Bunyip debuted January 31, 1987.

This heart warming adaptation of the timeless novel tells the story of the courageous stallion Black Beauty, a well-bred horse in the 19th century England.